Bait Taken: 5 of the Best Stephen King Adaptations Ever

There are many building blocks of the internet, but the cornerstones are think pieces, offhand lists, and other hollow provocations meant to stir arguments and, therefore, briefly redirect web traffic. Engaging such material is utterly pointless. Then again, it’s not like I have anything better to do. It almost seems unkind — or maybe foolish — to take umbrage with the vaguely defined list of Stephen King adaptations recently published at New York magazine’s Vulture site. For starters, it’s obvious advertorial nonsense, released in conjunction with Spike’s needy attempt at cashing in on the lucrative market for genre-driven television. There’s also a … Continue reading Bait Taken: 5 of the Best Stephen King Adaptations Ever

Beers I Have Known: Heater Allen Pils

This series of posts is dedicated to the many, many six packs, pony kegs and pints that have sauntered into my life at one point or another. Dear Portland, Back in the earliest years of the Beer City USA online voting competition, I saw you as a disliked rival to my modest little mountain town. I was living in Asheville, North Carolina, which regularly took the top spot in the competition, much to, as we were made to understand, the chagrin of residents of Oregon’s most populous city.  At the time, I took some puffed up local pride in our … Continue reading Beers I Have Known: Heater Allen Pils

College Countdown: CMJ Top 250 Songs, 1979 – 1989, 31 – 29

31. Adam and the Ants, “Antmusic” “We name our music ‘antmusic’ to prevent classification and bracketing from other people,” Adam Ant told Tom Snyder when he appeared on Tomorrow to promote the 1980 album Kings of the Wild Frontier. “I don’t think that’s pretentious considering it’s taken four years to get the sound.” Besides the stretch of time identified by the singer, Adam and the Ants had gone through quite an ordeal on the way from their first to their second album, including the collapse of the band itself. Following a first flush of minor success — and some pigeonholing … Continue reading College Countdown: CMJ Top 250 Songs, 1979 – 1989, 31 – 29

From the Archive: Smart People

When I was reviewing films for a weekly radio show, I had to see practically everything that came through our modest little college town. In the few years after I had a diploma and no regular responsibilities for writing about the latest titles to grace the multiplex, I still saw nearly every major release that hit theaters. After that I was far more selectively, which sometimes leaves me wondering why I saw a particular film while it played in first-run theaters. I believe the outing that led directly into this review was because our household briefly — and occasionally to … Continue reading From the Archive: Smart People

One for Friday: The Replacements, “Portland”

It was one of those Replacements shows. Towards the end of the band’s tour in support of the album Pleased to Meet Me, the Minneapolis quartet was booked into the Pine Street Theatre in Portland, Oregon. Regional heroes the Young Fresh Fellows opened the show. Surely, it was a hot ticket, or at least a warm one, just a little uncomfortable to the touch. By this point in time — 1987, to be precise — the Replacements had plenty of people lining up to declare them the best rock band in the U.S. They also had a deserved reputation of … Continue reading One for Friday: The Replacements, “Portland”

Laughing Matters: Portlandia, “The Dream of the Nineties”

Sometimes comedy illuminates hard truths with a pointed urgency that other means can’t quite achieve. Sometimes comedy is just funny. This series of posts is mostly about the former instances, but the latter is valuable, too. I can’t claim that I stuck through Portlandia through it’s entire run — including the pending final season — but I have tremendous affection for the comedy series co-stewarded by Fred Armisen and Carrie Brownstein. Although I didn’t have intimate knowledge of the scruffy metropolitan area it satirized when the program launched, I recognized a generational identity within the comedy. My swath of the … Continue reading Laughing Matters: Portlandia, “The Dream of the Nineties”

My Misspent Youth: Stumptown by Greg Rucka and Matthew Southworth

I read a lot of comic books as a kid. This series of posts is about the comics I read, and, occasionally, the comics that I should have read. As I must on occasion, let me preface what follows by conceding that I am about to abuse the word “youth” in the title of this feature. Stumptown, written by Greg Rucka and drawn by Matthew Southworth, debuted in 2009, well past the point that I could claim any dewy upon mine eyes. My mild justification for highlighting it under this regular banner is that the series — while hardly a … Continue reading My Misspent Youth: Stumptown by Greg Rucka and Matthew Southworth

Laughing Matters: George Carlin, Class Clown

Sometimes comedy illuminates hard truths with a pointed urgency that other means can’t quite achieve. Sometimes comedy is just funny. This series of posts is mostly about the former instances, but the latter is valuable, too. It’s not accurate to call the nineteen-seventies the heyday of comedy records, not when the prior decade saw the smash-hit album The Button-Down Mind of Bob Newhart, elevating a guy who’d recently been a Chicago advertising drone to both Best New Artist and Album of the Year at the Grammy Awards. That doesn’t even get into the likes of Vaughn Meader and Allan Sherman tying … Continue reading Laughing Matters: George Carlin, Class Clown

Now Playing: It Comes at Night

I feel compelled to write about the audience I was in midst of when I saw the film It Comes at Night. The second feature from writer-director Trey Edward Shults, It Comes at Night is being positioned as a horror film for promotional purposes. That’s entirely fair. All the elements are in place, including a constantly mounting sense of dread, allusions to a devastating and unexplained phenomenon that has ravaged the populace, and a wary appraisal of the intrinsic darkness of desperate people. And yet the film is primarily notable for its colossal restraint more than its vivid shocks. In … Continue reading Now Playing: It Comes at Night

College Countdown: CMJ Top 250 Songs, 1979 – 1989, 34 – 32

34. Sinéad O’Connor, “Mandinka” It didn’t start with a picture of the Pope on live television. Sinéad O’Connor was at war from the beginning. “I had no illusions that there were such things as record deals — I just happened to be lucky enough to get one,” O’Connor noted shortly after the release of her 1987 debut album, The Lion and the Cobra. “I didn’t realize there were such bastards in this business.” Her famously shaved head — a look especially out of step with late-eighties fashion trends — was O’Connor’s rebuttal to label attempts to impose a more MTV-friendly style … Continue reading College Countdown: CMJ Top 250 Songs, 1979 – 1989, 34 – 32