Now Playing: It Comes at Night
I feel compelled to write about the audience I was in midst of when I saw the film It Comes at Night. The second feature from writer-director Trey Edward Shults, It Comes at Night is being positioned as a horror film for promotional purposes. That’s entirely fair. All the elements are in place, including a constantly mounting sense of dread, allusions to a devastating and unexplained phenomenon that has ravaged the populace, and a wary appraisal of the intrinsic darkness of desperate people. And yet the film is primarily notable for its colossal restraint more than its vivid shocks. In … Continue reading Now Playing: It Comes at Night