Author: Dan Seeger

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Now Playing: Arrival

Dan Seeger

There’s so much to dig into when discussing the new film Arrival. The intricacies of the storytelling, the jarringly smart manipulation of the film narrative grammar, and the resonance of deeply moving themes are all worth topics, compelling pieces of evidence in the argument of the work’s special accomplishment. And yet the element of the film that made the strongest impression on me — that convinces me it is the linchpin that makes it all work — is the one that I suspect and worry will be overlooked by many, convinced that it is in service of a bigger picture … Continue reading Now Playing: Arrival

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Then Playing: Heaven’s Gate

Dan Seeger

I usually reserve the longer reviews for films still playing in theaters, but sometimes a title I’ve caught up on later merits a few extra words. Like a sizable portion of the U.S. electorate, I’ve been anxiously seeking out distractions for, oh, say, the past week or so. My natural instinct is to seek solace in the movie house, in all its many iterations. As a general rule, the more time kept away from ruminating on the political toxins burdening the atmosphere, the better. So when the opportunity arose to sit before the three hour and thirty-nine minute cut of Michael … Continue reading Then Playing: Heaven’s Gate

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Laughing Matters: “Hungry Are the Damned”

Dan Seeger

Sometimes comedy illuminates hard truths with a pointed urgency that other means can’t quite achieve. Sometimes comedy is just funny. This series of posts is mostly about the former instances, but the latter is valuable, too. Now, more than ever, we need the Peace Through Dramatization Players. “Shakespeare?” “Dickens?” “No, good guesses, though.” Man alive, do I miss Late Night with David Letterman. Previous entries in this series can be found by clicking on the “Laughing Matters” tag. Continue reading Laughing Matters: “Hungry Are the Damned”

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Now Playing: Certain Women

Dan Seeger

Director Kelly Reichardt specializes in a quiet attention to the small. In general that serves her well, making her films stand out with their unhurried emotional arcs. Whether tracking the sad plight of homeless woman traveling with her dog or a batch of weary, nineteenth century pioneers, Reichardt’s steadfast refusal to whirlwind up contrived drama invites attention to the more intimate facets of her stories, those that nestle in close to the bones of the characters. In their sharpest moment, Reichardt’s films unearth truths that most fiction storytelling rushes recklessly over. Admittedly, that can make the resulting works feel slight, … Continue reading Now Playing: Certain Women

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College Countdown: CMJ Top 250 Songs, 1979 – 1989, 121 – 119

Dan Seeger

121. Tracy Chapman, “Talkin’ Bout a Revolution” Tracy Chapman grew up in Cleveland during the nineteen-sixties and -seventies, a tumultuous time for the city. As options dwindled and the public education system deteriorated rapidly, Chapman got a chance to get out. The recipient of a scholarship through the program A Better Chance, Chapman found herself attending a private high school in New England, many miles and a world away. It was there that her talent for music started to evolve into a mission to speak, to challenge the problems she saw before her. The song “Talkin’ Bout a Revolution” was inspired … Continue reading College Countdown: CMJ Top 250 Songs, 1979 – 1989, 121 – 119

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One for Friday: Leonard Cohen, “Democracy”

Dan Seeger

Remember when the Chicago Cubs won the World Series? That was pretty good, right? Other than that, 2016 continues to be quite the prolonged kick in the teeth. I didn’t know Leonard Cohen’s work when I was first falling into my music obsessions. But I did know of him. Cohen was this almost mystical figure of cool on the fringes of pop culture, not boxed out of the center but choosing not to stroll over to it because it just wasn’t worth his time. Better to lean against a wall and nurse a cigarette. Let others deal with all that … Continue reading One for Friday: Leonard Cohen, “Democracy”

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Now Playing: Doctor Strange

Dan Seeger

Doctor Strange is an especially odd entry in the Marvel Cinematic Universe, though not exactly for the reasons that would be expected from the perpetually trippy source material. Yes, the film sets itself apart by embracing the reality-bending possibilities inherent in the adapting the adventures of the master of the mystic arts to the big screen at a time of unparalleled CGI artistry, but that’s not precisely what I’m referring to. I don’t recall any other time when I’ve encountered a film that veers so dramatically in terms of its engagement. Doctor Strange is often dull, until the moments arrive, … Continue reading Now Playing: Doctor Strange

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The New Releases Shelf: AIM

Dan Seeger

  I’m not sure M.I.A. has ever made a single album that’s great from start to finish. Her muse has too much wanderlust for that. Running freely can lead an artist to cross entirely new landscapes, but it can also result in a mad rush into a blind alley or two. It can also lead to a sort of artistic exhaustion, which isn’t quite what M.I.A. copped to in suggesting that AIM, her fifth full-length overall, will be her final album. Still, she’s said she’s ready to move onto other projects, and there are times when AIM betrays a sense … Continue reading The New Releases Shelf: AIM

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Greatish Performances #28

Dan Seeger

#28 — Kevin Kline as Dave Kovic (and Bill Mitchell) in Dave (Ivan Reitman, 1993) I default to cynicism, enjoying the safety of a reflexive irony when it comes to the most important matters. Believing in institutions — or in the will of the people in a shaky, overlarge republic — is a pathway to disappointment. Isn’t it? I am consistently braced for some sort of collapse, a withering of our sprawling, gnarled tree of humanity. As a citizen of the U.S., I am a patriot, albeit of the partly-cloudy variety defined by Sarah Vowell. The guarded suspicion of that … Continue reading Greatish Performances #28