David Bowie, 1947 – 2016

“TOMORROW BELONGS TO THOSE WHO CAN HEAR IT COMING” Fittingly, it is unreal, like an elaborate ruse. In my heart, it is simply another strange, challenging expression of restless artistry. David Bowie always had an otherworldly authority to him, even aside from the instances in which he purposefully claimed alien personae, so it stands to reason that a late-in-life guise, a long-gestating follow-up to Ziggy Stardust or the Thin White Duke, would involve something more ethereal. Here’s a method to haul the heavens down to the earthly firmament, claiming an angelic cloak nicely timed to coincide with the release of a new … Continue reading David Bowie, 1947 – 2016

College Countdown: CMJ Top 250 Songs, 1979 – 1989, An Introduction

Though I occasionally postured otherwise, I arrived at my college radio station in the fall of 1988 with a keen awareness that I had a lot to learn. Much as I wish I could report that I filled my high school years with gloomy nights in my basement bedroom playing Meat is Murder or Psychocandy over and over again, taking solace in the solidarity of bands that expertly tapped into levels of despair that had a tangy tinge of teenaged agony to them, I was a relative latecomer to college rock. There were surely flirtations before, but I didn’t fall … Continue reading College Countdown: CMJ Top 250 Songs, 1979 – 1989, An Introduction

From the Archive: Shining Through and Medicine Man

This doubled-up review was written for The Pointer, the weekly student newspaper at UW-Steven Point, where I secured my undergraduate degree. I tended to write about two films per week, especially since it was so rare the Central Wisconsin theaters provided really interesting titles while school was in session. Sometimes, I strained a bit to find a way to link the films in the obligatory introduction. This isn’t exactly one of the stronger efforts, I’ll admit. February releases provided their own set of challenges.    It’s hard to fault a movie for having ambition. As dull sequels, idiotic comedies, and one-note … Continue reading From the Archive: Shining Through and Medicine Man

One for Friday: Smart Remarks, “Mary’s Got Her Eye On Me Tonight”

I recently noticed that Little Hits is gone. As anyone who’s been scoring along at home might know, Little Hits was a music blog that went a long way towards inspiring this weekly feature. Updated regularly, the blog shared MP3s and reminiscences about the songs and bands they contained. My affection didn’t simply stem from the fact that I enjoyed the music shared there, nor was it the genial, knowledgable essays that earned my devotion. I did like the songs and the writing, but it was the actual nature of the selections that thrilled me, specifically the way in which the name … Continue reading One for Friday: Smart Remarks, “Mary’s Got Her Eye On Me Tonight”

Broomfield, Demme, Radice, Safdie and Safdie, Truffaut

Ricki and the Flash (Jonathan Demme, 2015). By the last third of the film, it seems clear that Demme’s chief motivation for taking on this project is the opportunity to apply his extensive experience directing concert films to this fictional story of a derelict mother (Meryl Streep) who fronts a bar band. He certainly demonstrates only passing interest in the tepid familial drama in the script, written by Diablo Cody with a equal freedom from her previous dialogue quirks and recognizable humanity. When Streep’s bedraggled singer returns to her former home, responding to a suicide attempt by her daughter (Mamie Gummer), every … Continue reading Broomfield, Demme, Radice, Safdie and Safdie, Truffaut

Top 40 Smash Taps: “Breakdown”

These posts are about the songs that can accurately claim to crossed the key line of chart success, becoming Top 40 hits on Billboard, but just barely. Every song featured in this series peaked at number 40. Tom Petty made his way into the Billboard Top 40 sixteen times, with and without the Heartbreakers (including twice with Stevie Nicks, but never as a Wilbury). His very first visit to the charts was with his group’s debut single, albeit not right away. “Breakdown” was issued in 1976, and completely stalled out on the charts, as did the band’s self-titled debut album. … Continue reading Top 40 Smash Taps: “Breakdown”

My Misspent Youth: Marvel Team-Up #100 by Chris Claremont and Frank Miller

I read a lot of comic books as a kid. This series of posts is about the comics I read, and, occasionally, the comics that I should have read. I had just begun my delirious jaunt into the magical land of superhero comics when the SPECIAL DOUBLE-SIZE 100TH ISSUE! of Marvel Team-Up hit newsstands, way back when that was actually a place a person could buy comic books. I wasn’t buying any Spider-Man comics yet, nor was X-Men part of my monthly habit, which theoretically have made me interested in this issue, given that it was written by the scribe … Continue reading My Misspent Youth: Marvel Team-Up #100 by Chris Claremont and Frank Miller

And it’s paid for and I’m so grateful to be nowhere

Chapter One: The Huckster’s Reintroduction To be fair, Quentin Tarantino has never been anything other than transparent about his convictions. He is an unabashed recycler, a self-aggrandizing showman, a virulent jabber jaw. He is a cinematic con artist of the highest order, taking all the influences that swirl in his head, buffeted by the blizzard winds of his grindhouse-soiled psyche, and spilling them out onto the screen with only the barest hint of deeper introspection. Much as he loves the gamesmanship of movie narrative, from the pleasure of imposing subversion onto the inane to the flawed puzzle box of displaced … Continue reading And it’s paid for and I’m so grateful to be nowhere

College Countdown: The Effort Thus Far

(Photo found elsewhere) It’s been five and a half years since I decided to take an old CMJ chart that I found and offer a sort of a digital duplication of a radio program hosted by my old movie reviewing colleague. As I noted when tracking through that tally of forty tracks, it was a Sunday night ritual during my first semester of college to listen to the show that aired on the student-run station where I was securing my own FCC Operator License. At the time, it was The College Count-Up, inverting the usual numeric progression, because playfully tweaking convention … Continue reading College Countdown: The Effort Thus Far

From the Archive: Rosencrantz and Guildenstern are Dead

Any movie review program circa 1990 practically required a home video segment. Rentals of blocky VHS tapes was that significant a piece of the entertainment market. It was also the great equalizer, giving smaller markets that would never see, say, a big screen showing of a playwright’s feature directorial debut, an adaptation of a stage work that provides a clever reimagining of Hamlet from the perspective of two minor characters, access to such comparatively esoteric efforts. Largely stuck with the more dismal wide releases for our main reviews, we tended towards recommendations of art house fare when we were guiding … Continue reading From the Archive: Rosencrantz and Guildenstern are Dead