Top Fifty Films of the 40s — Number Forty-Three

#43 — Riff-Raff (Ted Tetzlaff, 1947) Ted Tetzlaff only directed a handful of movies, but he shot over one hundred. He starting working as a cinematographer in the nineteen-twenties (his handiwork was found in the 1926 films Atta Boy and Sunshine of Paradise), racking up some impressive credits over the course of the next couple of decades. Included in that number is striking, evocative work on Alfred Hitchcock’s Notorious. Remarkably, his efforts on that film earned him no official accolades (Tetzlaff’s sole Oscar nomination came a few years earlier, for the George Stevens comedy The Talk of the Town), though it did … Continue reading Top Fifty Films of the 40s — Number Forty-Three

College Countdown: 90FM’s Top 90 of 1995, 64 and 63

64. Catherine Wheel, Happy Days Happy Days is the third album by the U.K. band Catherine Wheel and by most measures their most success effort. Riding the surge of interest in any alternative band that built some buzz into their sound, Catherine Wheel broke onto the Billboard albums chart for the first time (though its peak of #163 hardly reaches sensation status) and had a couple modest modern rock radio hits. One of those tracks, “Judy Staring at the Sun,” featured guest vocals from Tanya Donelly during the very thin sliver of time when the Belly frontwoman had enough prominence to nab … Continue reading College Countdown: 90FM’s Top 90 of 1995, 64 and 63

From the Archive: Don’t Tell Mom the Babysitter’s Dead

This installment of our “From the Archive” feature offers an example of the way I used to occasionally cheat when writing my scripts for the radio show that I co-hosted during the early nineties. Sometimes this stemmed from a lack of available time to write out a full script, and I believe there were a couple instances when my cohort and I agreed that it was worth trying for a looser feel to the reviews (that instinct towards experimentalism likely had a portion of its inspiration in a shared weariness in banging out hundreds of words every weak on the … Continue reading From the Archive: Don’t Tell Mom the Babysitter’s Dead

One for Friday: Golden Palominos, “Omaha”

Anton Fier was a weirdly mythic figure to me when I was in college, plying my trade at the student-run radio station. He existed within the nation of independent music that was beyond my personal level of coolness, like distant figures on the vista. He was a founding member of the Feelies, a band I loved immediately, but he left after the band’s acclaimed, obscure debut, Crazy Rhythms, an album I’d never heard because its status as a low press run, long out of print artifact of greatness put it well out of reach. He was a member of John Lurie’s Lounge … Continue reading One for Friday: Golden Palominos, “Omaha”

Top 40 Smash Taps: “The Last Word in Lonesome is Me”

These posts are about the songs that can accurately claim to crossed the key line of chart success, becoming Top 40 hits on Billboard, but just barely. Every song featured in this series peaked at number 40. By my count, Eddy Arnold has fifteen Top 40 singles, include several that were officially charting B-sides. That’s on the pop charts. It’s a very different number when consulting a different section of Billboard. Arnold landed 147 different singles on the country charts, spanning from “Each Minute Seems a Million Years,” released in 1945, to 2008’s “To Life.” Only George Jones could claim more. Happily, … Continue reading Top 40 Smash Taps: “The Last Word in Lonesome is Me”

Bendjelloul, Bobin, Boone, Lee, Stiller

Muppets Most Wanted (James Bobin, 2014). Once the cinematic franchise is revived, the next task is to prove it can be prolonged and maintained. Muppets Most Wanted is agreeable but oddly inconsequential. Lacking the fanboy passion that Jason Segel seemed to inject into The Muppets all by his lonesome, this new installment is drab and prone to drifting. The plot manages to evoke The Great Muppet Caper, the original Muppet sequel, while also playing around with a mistaken identity gimmick that takes full advantage of the pliability of the characters’ identity. Yes, it’s amusing at times, and the celebrity “guest stars” are … Continue reading Bendjelloul, Bobin, Boone, Lee, Stiller

Beers I Have Known: Sierra Nevada Blindfold Black IPA

This series of posts is dedicated to the many, many six packs, pony kegs and pints that have sauntered into my life at one point or another. I’m very pleased that I live in a place that has been dubbed Beer City, U.S.A. More than that, I’m excited that the community continues to live up to the title, years after the sponsor of the annual vote gave up on the process, presumably in part because they got tired of this little North Carolina mountain town winning every year. Among all of our other craft brewers, modest and ambitious, comes arguably the … Continue reading Beers I Have Known: Sierra Nevada Blindfold Black IPA

Top Fifty Films of the 40s — Number Forty-Four

#44 — The Lady from Shanghai (Orson Welles, 1947) After his debut feature accomplished nothing less than redefining the possibilities of cinema itself, Orson Welles never delivered another film that wasn’t compromised in one way or another. Even with his smaller, scrappier efforts, on which he came closest to the unquestioned creative authority of Citizen Kane, he was constrained by tight budgets and his own bad habits, which only grew the further away he got from Hollywood’s irritating controls. And when Welles was trying to work within the system, it often seemed as though he was thwarted at every turn, in part … Continue reading Top Fifty Films of the 40s — Number Forty-Four

College Countdown: 90FM’s Top 90 of 1995, 66 and 65

66. Alice in Chains, Alice in Chains In the early to middle part of the nineteen-nineties, a band was almost guaranteed some national attention as long as they were from Seattle and knew how to turn their amps up. Alice in Chains officially formed in 1987, when roommates Layne Staley and Jerry Cantrell joined one another’s new bands. The funk band Staley drew Cantrell into fading quickly, leaving the other group, defined by hard rock leanings, as the going concern. For the band’s name, they opted for a modified version of the group Staley was in previously, a glam metal … Continue reading College Countdown: 90FM’s Top 90 of 1995, 66 and 65

From the Archive: The Rookie

When we were doing the radio program The Reel Thing, we got press kits from a few studios and promotion house, but much of the time we had few supplemental resources (of course, there was also no internet to spill every piece of data we might need). So I distinctly remember sitting through the credits for The Rookie with an intense focus, trying to make certain I had Pepe Serna’s name correct for the review. I knew I’d made the right choice in singling the actor out when me colleague on the other side of the broadcast board laughed and nodded … Continue reading From the Archive: The Rookie