Top Fifty Films of the 40s — Number Forty-Four
#44 — The Lady from Shanghai (Orson Welles, 1947) After his debut feature accomplished nothing less than redefining the possibilities of cinema itself, Orson Welles never delivered another film that wasn’t compromised in one way or another. Even with his smaller, scrappier efforts, on which he came closest to the unquestioned creative authority of Citizen Kane, he was constrained by tight budgets and his own bad habits, which only grew the further away he got from Hollywood’s irritating controls. And when Welles was trying to work within the system, it often seemed as though he was thwarted at every turn, in part … Continue reading Top Fifty Films of the 40s — Number Forty-Four