From the Archive: Man on the Burning Tightrope

This review is taken from the same issue of The Independent as the review of the Mars Volta record from a few weeks back. I went ahead and loaded it up for this feature knowing that the title of the record was nicely well-suited for the way I’d feel as the closing of one of my most demanding work-weeks of the year was coming to an end. Led by former Cop Shoot Chop bassist Tod A., Firewater made a pebble-sized splash with their last effort, 2001’s Psychopharmacology. Much of this follow-up sounds as if they took the Tom Waits drunken … Continue reading From the Archive: Man on the Burning Tightrope

One for Friday: Graham Parker, “Don’t Let It Break You Down”

Sometimes in those especially busy work weeks, all I want (or maybe need) when we get to our fine One for Friday post is a bit of affirmation, a spirited kick to the soul and an assurance that the heavy lifting that remains will be accomplished with aplomb. Naturally, I prefer my affirmations to be a little more scabrous and cynical. For positivity and endurance framed that way, I can do no better than Mr. Graham Parker. Truthfully, anything I feel compelled to share about him and my gradual discovery of his music has already been shared in this space. … Continue reading One for Friday: Graham Parker, “Don’t Let It Break You Down”

Top 40 Smash Taps: “The End of Our Road”

These posts are about the songs that can accurately claim to crossed the key line of chart success, becoming Top 40 hits on Billboard, but just barely. Every song featured in this series peaked at number 40. As I write this, I’m too tired to count high, so I’m going to rely on the ever-shaky Wikipedia to provide some information. According to the crowd-edited website, Marvin Gaye reached the Billboard Top 40 a total of forty-one times, including three songs that topped the charts. Of those many hits, one of them qualifies for this series, just barely scratching into the … Continue reading Top 40 Smash Taps: “The End of Our Road”

From the Archive: A River Runs Through It

This review comes from The Pointer, the student newspaper at the University of Wisconsin-Stevens Point. While hardly an epic, I’m a little surprised at the length of this piece. Certainly I was trying to make the case for a film I though was excellent and all too likely to be ignored by my fellow twentysomethings, but it still looks to me like it would have wound up being an awful lot of column inches devoted to my opinions. I remember endlessly championing cinematographer Philippe Rousselot by name when Oscar season came around, but I clearly hadn’t gotten his French moniker … Continue reading From the Archive: A River Runs Through It