Top Fifty Films of the 50s — Number Forty-Two
#42 — High Noon (Fred Zinnemann, 1952) Beware the film critic who has stumbled upon a thesis. This isn’t automatically a problem, but it does lead to an overvaluing of certain films over others, sometimes for fairly questionable reasons. For example, Alfred Hitchcock’s Vertigo, which we will get to before this feature has run its course (although more quickly than most writers about film would consider prudent), has been elevated to the consensus pinnacle among The Master’s works perhaps as much because of how neatly it fits into pre-existing narratives of the his predilections and obsession than of any exhibited … Continue reading Top Fifty Films of the 50s — Number Forty-Two