Spectrum Check

Like everyone else, my mind is elsewhere today, so I’ll keep this brief. I’m sure you understand. I reviewed two things for Spectrum Culture this week. On the film side, I reviewed a documentary about the Lovings, the perfectly named couple whose court case against the state of Virginia ended anti-miscegenation laws across the land. On the music side, I reviewed the new album from a band called Night Moves, which I primarily chose because I was amused by the peripheral Bob Seger connection. Lest I confuse anyone, the band’s music sounds absolutely nothing like anything ever cooked up by … Continue reading Spectrum Check

One for Friday: Yo, “I Meant to Tell You”

I have no idea if I ever played Yo at the college radio station. Their album Once in a Blue Room was released in 1986, a couple years before I made it to our perch at the left end of the dial. The “Y” section of the station’s C-stacks, home of the more obscure material, were tricky to get to, basically requiring a junior contortion act from the DJ to fit into the roughly foot-wide space between the record shelves and the concrete bunker that the turntables sat upon. The problem was even more dramatic with the “M” section a … Continue reading One for Friday: Yo, “I Meant to Tell You”

Top 40 Smash Taps: “Stone Cold”

These posts are about the songs that can accurately claim to crossed the key line of chart success, becoming Top 40 hits on Billboard, but just barely. Every song featured in this series peaked at number 40. The band Rainbow started when guitarist Ritchie Blackmore decided he’d had enough of playing in Deep Purple. Dissatisfied with the funkier direction his bandmates were taking around the time of the 1974 album Stormbringer, Blackmore decided to explore the possibility of a solo outing. He recruited a couple of members of the blues rock band Elf, including Ronnie James Dio, along with other … Continue reading Top 40 Smash Taps: “Stone Cold”

Top Fifty Films of the 70s — Number Four

#4 — A Clockwork Orange (Stanley Kubrick, 1971) Stanley Kubrick’s A Clockwork Orange is widely considered a classic. I can’t think of another film in the same exalted status that is as brilliantly, exuberantly, comically savage. In adapted Anthony Burgess’s 1962 novella of the same name, Kubrick tore free the ferocious id of humanity and laid it bare, ultimately questioning whether the true problem was the roiling internal rage and impulsive hedonism of people or the cloying attempts of society to contain those instincts. Untamed passion may lead to random acts of violence and terror against innocent people, but isn’t … Continue reading Top Fifty Films of the 70s — Number Four

College Countdown: KROQ-FM’s Top 40 Songs of 1987, 20 and 19

20. “Rain in the Summertime” by the Alarm I tend to heap scorn on the copycat programming choices made by “commercial alternative” radio during my time served there in the mid-nineties, when the surest route to chart success was delivering a passable Eddie Vedder impression. (Why, I did it just the other day!) However, it was hardly a new phenomenon then, nor was it confined to those further up the dial who could seek out ad dollars without restriction. Throughout much of the decade prior, the labels that catered to college radio were always happy to open their checkbooks to … Continue reading College Countdown: KROQ-FM’s Top 40 Songs of 1987, 20 and 19

Spectrum Check

We are in the middle stages of prepping for end of the year material at Spectrum Culture, which means I worked on a lot of material for the site this week, but little of it has yet yielded words that made it to digital print. There’s a ton of writing on the way, though, which also means I’ve got to devote some time today to listening to 2012 album releases to concoct my personal Top 20 list for the year. With that in mind, I’ll keep the recap somewhat brief. On the film side, I reviewed a newish documentary about … Continue reading Spectrum Check

One for Friday: Syd Straw, “CBGB’s”

Syd Straw was an artist I first found in college, taking special solace in her solo debut, Surprise. She wasn’t incredibly prolific, which seemed somehow apt. There was something about Surprise that made it seem like a rapid-fire follow-up simply wouldn’t be appropriate, as if it would lack respect for the specialness of what had been accomplished. Besides, there was a purely selfish benefit to Straw taking about seven years to get around to releasing her sophomore effort, 1996’s War and Peace. By the time it arrived, I was deep into my tenure in commercial radio, growing ever more enchanted … Continue reading One for Friday: Syd Straw, “CBGB’s”