Top Fifty Films of the 70s — An Introduction

And thus our recurring exercise in nostalgic evaluation takes a turn into especially tricky territory. In tracking through my picks for the best films of the the first ten years of the 2000s, then the nineteen-nineties and the nineteen-eighties, I was always considering time frames with which I had at least some level of personal connection concurrent with their actual occurrence. Sure, I was awfully young when the eighties began, but those were hugely formative years as I matured with the movies, for good or ill, as one of my primary influences. If I’d conceived of a top fifty in … Continue reading Top Fifty Films of the 70s — An Introduction

So far from the ordinary things I once knew while I wait for the chance to tell you what is true

It’s always a unique disappointment to see an excellent performance shellacked into the misery of a bad movie. In the new film My Week with Marilyn, Michelle Williams is consistently sensational as Marilyn Monroe. She’s charged with not only playing … Continue reading So far from the ordinary things I once knew while I wait for the chance to tell you what is true

College Countdown: First Billboard Top 20 Modern Rock Tracks, Fall 1988, An Introduction

By the fall of 1988, the influence of college radio was at an early peak, which meant that the music that had stirred its rebellious, off-the-beaten-track spirit was in the process of being finally and fully co-opted. MTV’s Sunday night excursion into left of the dial fare, 120 Minutes, was popular enough to produce a nightly spin-off called PostModern MTV and major labels were scouring playlists of humble, student-run broadcasters in the hopes of discovering the next U2 or R.E.M., a band that had breakout potential. In September, the ultimate marker of the accepted institutionalization of the sound was printed … Continue reading College Countdown: First Billboard Top 20 Modern Rock Tracks, Fall 1988, An Introduction

Top Ten Albums of 2011

While my predilection for movie-related lists is all over this corner of the Interweb, it’s been a long, long time since I’ve tried to craft a ranking of the best albums of any given year. Part of the reason is that I think those sorts of music preferences are a little more slippery, with opinions subject to change as albums age. Songs that sounded fresh and amazing become tired, even hackneyed and annoying as repeated plays mercilessly erode their charm. The reverse is equally true, as there have been plenty of albums that I initially dismissed, only to have them … Continue reading Top Ten Albums of 2011

One for Friday: Stealin’ Horses, “Turnaround”

I wish I could claim to be one of those kids who was wisely immersing myself in the jagged, angsty splendor of the likes of Joy Division and Jesus and Mary Chain. I wasn’t, though. Most of my record collection was taken up by the same touchstones of regrettable pop conformity that were on a lot of teenage bedroom shelves in the mid-eighties, or so the sales figures and MTV airplay assured me. These records were so resoundingly mediocre that I can’t even impose a retroactive, post-ironic coolness on them. I had the capacity for a more sophisticated musical palette, … Continue reading One for Friday: Stealin’ Horses, “Turnaround”

They climbed off their pedestals and then they sang this song

As I noted recently, I’m charged with contributing to various year-end assessments over at Spectrum Culture, including the list we came up with of the Top 25 Songs of 2011. Last year, my preferences were solitary enough that some of my personal picks for the best single songs didn’t make the final tally, so I made a point of highlighting a few of them in a separate post in this space. As I sat down to revive the tradition, I realized that I had far more in common with my colleagues this year and eight of my top ten made … Continue reading They climbed off their pedestals and then they sang this song