Spectrum Check

I had couple things on Spectrum Culture this week. In the Film section, I reviewed Womb, a film that continues the unexpected British trend of gentle sci-fi stories about cloning, a distinct subgenre done exceedingly well in Kazuo Ishiguro’s novel Never Let Me Go and less so in the film adaptation of the same book. Womb is further proof that we all would have been better off in Ishiguro’s original work was allowed to be the sole and final work of art on that front. I fared a little better with my selection in the Music section, offering an assessment … Continue reading Spectrum Check

One for Friday: Poi Dog Pondering, “Spending the Day in the Shirt You Wore”

I remember Poi Dog Pondering’s debut album arriving at the college radio station amidst a lot of expectation. This was back when the number of outlets available to promote a new record were far more limited than in the case now, so I’m not quite sure how we got it in our heads that this was a release immediately worthy of my attention. It may have been as simple as the band’s unique gestation. Athens, Georgia and Minneapolis, Minnesota were well-represented on our airwaves, but we weren’t playing a lot from groups that got their start in Hawaii. They did … Continue reading One for Friday: Poi Dog Pondering, “Spending the Day in the Shirt You Wore”

Ford, Fukunaga, Green, Minnelli, Stahl

Designing Woman (Vincente Minnelli, 1957). This blithe, airy comedy about a mismatched couple is laced with some mild battle-of-the-sexes commentary. For the most part, though, it’s a procession of problematic friends and crooked boxing promoters. In other words, it’s the sort of romantic turmoil that only happens in the movies, and happened all the more frequently when the standard Hollywood product was made monumentally more colorful to compete with the hugely successful new medium of television. The film is directed with typical skill and panache by Vincent Minnelli, but the film works to the degree it does mostly from the … Continue reading Ford, Fukunaga, Green, Minnelli, Stahl

Top 40 Smash Taps: “Your One and Only Love”

These posts are about the songs that can accurately claim to crossed the key line of chart success, becoming Top 40 hits on Billboard, but just barely. Every song featured in this series peaked at number 40. In 1960, the year that Jackie Wilson’s “Your One and Only Love” peaked at #40, the phenom singer had six songs that made the Billboard Top 40. That tally included “Alone at Last,” which went to #8, and “Night,” which made it all the way to #4, his career best. Wilson was known as “Mr. Excitement,” but the music he was using to … Continue reading Top 40 Smash Taps: “Your One and Only Love”

Great Moments in Literature

“Most nights Claire disappeared into the crafts room, or had never come out of it in the morning. Technically no crafts emerged from this part of the house. We named it once with the hope that someone, sometime–a future child of ours, perhaps–would go in there and be productive, make something pretty or useful or interesting. Such were our speculations for the children we might have. They would fashion objects that glowed or spoke, and we would sit in wonder as we held their tremendous work in our hands. Our children would solve some fundamental boredom we could not escape, … Continue reading Great Moments in Literature

Spectrum Check

My week at Spectrum Culture started with me writing about one of those films that I know backwards and forwards. Usually, when I write about anything for Spectrum, I try to give it a fresh viewing (or listen), but that absolutely wasn’t required in this instance. There is one problem, though. I really should have asked to get pushed back a week so the review was closer to Opening Day, although Major League Baseball is sure working hard to make Opening Day (true Opening Day, not exhibition-games-that-count Opening Day) feel goofy and anticlimactic. Continuing on the movie beat, I wrote … Continue reading Spectrum Check

One for Friday: Sam Phillips, “Baby I Can’t Please You”

I think all of us toiling together in college radio had our favorite obscure performers, those who didn’t burn up any charts, including those our our own station, but whose every new release filled us with excitement. Often, these weren’t necessarily even performers who we felt had created masterpieces previously, but who instead always seemed to have the chance to create a absolutely fantastic album lurking within them. My whole time as a student DJ at 90FM, I was dead certain that Sam Phillips had an absolutely fantastic album lurking within her. The fact that it technically came out after … Continue reading One for Friday: Sam Phillips, “Baby I Can’t Please You”