And I’ve got mad hits like I was Rod Carew
Sesame Street breaks it down from Wonderful Creative on Vimeo. Continue reading And I’ve got mad hits like I was Rod Carew
Sesame Street breaks it down from Wonderful Creative on Vimeo. Continue reading And I’ve got mad hits like I was Rod Carew
“Words are our most inexhaustible source of magic,” muses Albus Dumbledore in the concluding film in the Harry Potter cinematic saga that has romped across the media landscape for a decade. Sent to his heavenly reward in a prior film, … Continue reading Walking in the woods one day I met a man who said that he was magic
#24 — The Color Purple (Steven Spielberg, 1985) When I decided I was going to continue on with the Top 50 Films posts, addressing a new decade every year, I knew some extra homework would be required. Unsurprisingly, the further … Continue reading Top Fifty Films of the 80s — Number Twenty-Four
Suddenly, Last Summer (Joseph L. Mankiewicz, 1959). Tennessee Williams is such a bold, distinctive writer that watching a film adaptation of one of his works sometimes consists largely of gauging how effectively the various actors wrestle with his challenging words and emotions. As a stalwart young doctor who gets drawn into the tangled affairs of a wealthy New Orleans family, Montgomery Clift is solid enough, although, at this relatively late point in his troubled career, he’d lost whatever lightness of touch he once had. Elizabeth Taylor strains beautifully as the fragile, damaged girl whose state of mind the plot hinges … Continue reading Avakian, Mankiewicz, Rohmer, Tavernier, Vidor
13. The Sugarcubes, Here Today, Tomorrow Next Week! In 1989, CMJ, the chief trade journal for college radio, released a handsome trade paperback to commemorate their tenth anniversary. Distributed to all of the subscribing stations, the book was a … Continue reading College Countdown: 90FM’s Top 90 of 1989, 13
Oh, the French. My first piece for Spectrum Culture this week was a review of the new film from director Catherine Breillat, who’s been playing around with classic fairy tales of late. This time, it’s the tale of Sleeping Beauty that she transforms, merging it with at least one other fable. Naturally, there’s some gratuitousness topless bathing in it. I also turned in a record review that was a little late, but not as shamefully late as the book review I recently sent it. That hasn’t run yet. I’ll sheepishly share that story when it does. Continue reading Spectrum Check
One of the unique results of complete immersion in the music of college radio is a skewed perspective on which songs and bands have become long-term staples. I’m constantly having to remind myself that certain songs that were huge smash hits in our little corner of the world aren’t as universally known as some Madonna song from roughly the same period of time. That’s compounded when it comes to the bands that I was actually a little perplexed at the time as to why they weren’t enjoying greater commercial success. Rock radio was fairly robust in the late-eighties and early-nineties … Continue reading One for Friday: Meat Puppets, “No Longer Gone”
One of the favorite parlor games of movie devotees is trying to discern which films and filmmakers have the greatest impact and influence in any given era. For example, at different times, I’ve heard it argued that the most significant … Continue reading Secretly I been tailing you like a fox that preys on a rabbit
#25 — Hoosiers (David Anspaugh, 1986) A couple of years ago, I saw Gene Hackman with his regular writing partner Daniel Lenihan at a book reading. When it came time for the Q & A portion of the event, the … Continue reading Top Fifty Films of the 80s — Number Twenty-Five
The Tree of Life couldn’t have come from anyone other than Terrence Malick. The primacy of directorial authorship is touted for all sorts of filmmakers, but Malick moves with such a distinct creative rhythm that it’s difficult to imagine anyone … Continue reading Burn bright through the night, two pockets lead the way