College Countdown: 90FM’s Top 90 of 1989, 44 and 43

44. R.E.M., Green When R.E.M. released the album Green in 1988, fans immediately took note of the greater directness to the songs, especially when it came to some of the political messages the Athens band was trying to convey. It even marked the first time the band included printed lyrics with the packaging of the album, although it was only for one song, the potent “World Leader Pretend.” With that in mind, one of the interpretations of the album’s title is that its a reference to the environmental movement that several of the band members were becoming more deeply involved … Continue reading College Countdown: 90FM’s Top 90 of 1989, 44 and 43

Spectrum Check

This week, I made my usual contribution to the movie review section, offering up an assessment of Putty Hill, a film that has, in my opinion, some clear forefathers. It’s the sort of lo-fi cinema wonder that gets extra credit when it’s discovered at a film festival, where its unassuming nature always feels a little fresher. It’s very good, but has some of the hard-to-dodge flaws built into its understated methodology. Then there were a couple pile-on pieces that included my humble contribution. The first was the latest List Inconsequential, which focused on books that elicited tears. I’m not sure … Continue reading Spectrum Check

One for Friday: Debbie Harry, “Liar Liar”

Part of the job of the Music Director at the college radio station during my days as a student was providing brief reviews of all the new releases. These upper left hand were handwritten onto little labels, approximately three inches by half-an-inch, that were then affixed to the upper left corner of the album cover. The limited space necessitated extreme brevity in the reviews (except for a couple of Music Directors I can think of who had remarkably compact handwriting that was also so legible it looked like it was produced by a special typewriter) making it sort of the … Continue reading One for Friday: Debbie Harry, “Liar Liar”

Twenty Performances, or If I Had a Ballot

My standing tradition is to post this little exercise is Oscar wishcasting on the day of the actual ceremony. I don’t want to preempt the recurring feature that resides on that day (especially since one of the two albums featured this week is a big personal favorite), so we’ll jump the gun a bit. It’s not like there’s some hallowed sanctity to the timing of this, after all. Having made my opinion on the best films of the cinematic year 2010 abundantly clear over the course of the past few weeks, I want to turn my attention to the other … Continue reading Twenty Performances, or If I Had a Ballot

Spectrum Check

I’ve had a little more modest output over at Spectrum Culture the past couple of weeks. I reviewed a Russian film called How I Ended This Summer about a burgeoning conflict between a couple of technicians at a remote weather station. Unfortunately, the frigid terrain they moved through looked a little too much like what was outside of our Carolina windows at the time. Luckily, that’s changed. Then this past week, I tapped into that distant part of me that stared down the copy of Dry that we received at the campus radio station nearly twenty years ago and tried … Continue reading Spectrum Check