One for Friday: Kingmaker, “Really Scrape the Sky”

At 90FM we used to have these stretches of programming that we called, admittedly without much ingenuity, Free Music Weeks. Making one of these happen started with us pulling something that was especially tricky for a little station like ours. We needed to convince a label to give us fifteen copies of a new release. That was our minimum for running a Free Music Week, the number of freebies we decided were needed to make it feel like the programming week was suitably inundated with one particular new album. Since our protocol at the time involved the DJ playing a … Continue reading One for Friday: Kingmaker, “Really Scrape the Sky”

Almodóvar, Argott, Butterworth, Fellowes, Scorsese

Separate Lies (Julian Fellowes, 2005). Following his Oscar win for scripting Robert Altman’s exemplary Gosford Park, Julian Fellowes made his directorial debut with an adaptation of an an old novel by Nigel Balchin. The film focuses of a busy, distracted solicitor whose marriage begins to fray, a situation compounded when the death of a local man in a hit-and-run car accident brings secrets to light and sets everyone reeling into a series of moral compromises. The stuff of high drama is certainly present in abundance in the story, and with Tom Wilkinson, Emily Watson and Rupert Everett at the head … Continue reading Almodóvar, Argott, Butterworth, Fellowes, Scorsese

One for Friday: Chris Mars, “Popular Creeps”

I feel very fortunate to have landed in college radio just when I did, but I must admit that sometimes I wish I’d gotten there just a couple years earlier. There was a lot to get excited about during my tenure: the emergence of Sonic Youth as a left of the dial powerhouse, the flaring Madchester scene, the seismic impact of Nirvana, and I’ll always remember the spring of 1989 with great fondness as a time when there was an overwhelming avalanche of great records. Still, I never had the pleasure of seeing a brand new album by either Hüsker … Continue reading One for Friday: Chris Mars, “Popular Creeps”