Almodóvar, Argott, Butterworth, Fellowes, Scorsese

Separate Lies (Julian Fellowes, 2005). Following his Oscar win for scripting Robert Altman’s exemplary Gosford Park, Julian Fellowes made his directorial debut with an adaptation of an an old novel by Nigel Balchin. The film focuses of a busy, distracted solicitor whose marriage begins to fray, a situation compounded when the death of a local man in a hit-and-run car accident brings secrets to light and sets everyone reeling into a series of moral compromises. The stuff of high drama is certainly present in abundance in the story, and with Tom Wilkinson, Emily Watson and Rupert Everett at the head … Continue reading Almodóvar, Argott, Butterworth, Fellowes, Scorsese

One for Friday: Chris Mars, “Popular Creeps”

I feel very fortunate to have landed in college radio just when I did, but I must admit that sometimes I wish I’d gotten there just a couple years earlier. There was a lot to get excited about during my tenure: the emergence of Sonic Youth as a left of the dial powerhouse, the flaring Madchester scene, the seismic impact of Nirvana, and I’ll always remember the spring of 1989 with great fondness as a time when there was an overwhelming avalanche of great records. Still, I never had the pleasure of seeing a brand new album by either Hüsker … Continue reading One for Friday: Chris Mars, “Popular Creeps”

Altman, Clements and Musker, Gordon (and others), Kubrick, Weir

Lolita (Stanley Kubrick, 1962). Vladimir Nabokov’s novel was less than ten years old when Stanley Kubrick took a swing at it, so he was working with a best-selling sensation instead of a revered part of the canon. That–combined with the significant detail that he was Stanley Kubrick and he plainly did want he wanted–gives the director great latitude in his adaptation. Nabokov himself is the credited screenwriter, but much of that material was jettisoned by Kubrick on the way to making his own distinct, darkly comic work. James Mason is marvelous as Professor Humbert Humbert, the man who becomes smitten … Continue reading Altman, Clements and Musker, Gordon (and others), Kubrick, Weir