One for Friday: Treat Her Right, “I Think She Likes Me”

Whenever I look back to the music exposure I had during my high school years, I’m generally dispensing laments about the inferior quality of the radio stations that could be pulled in by my humble antenna. I stand by those complaints–I think of of this time as the beginning of the end for strong, distinct, localized radio–but I should allow that there was an exception. WMAD broadcast at 92.1 on the FM dial. Their tower stood in Sun Prairie, Wisconsin, and the wattage was low enough that they barely covered the greater Madison area. It usually took some maneuvering, but … Continue reading One for Friday: Treat Her Right, “I Think She Likes Me”

Anderson, Charles, Krasinski, Miller, Moeller

Break of Hearts (Philip Moeller, 1935). Katherine Hepburn was a mere twenty-eight when this thin romance was released, just a few films into her storied career. She already had an Oscar and at least one solid hit to her credit, but doubters were plentiful. This was one of the string of flops that famously got her labeled “box office poison.” If nothing else, the film is evidence that Hollywood didn’t really know what to do with her yet, shoving the camera into her face to capture a dewy glisten that may have been the standard of the day for leading … Continue reading Anderson, Charles, Krasinski, Miller, Moeller

One for Friday: Apollo Smile, “Dune Buggy”

There’s currently no shortage of ways to find out about new music, but it was a very different situation when I was a student programmer at the college radio station in the early nineties. We had ready access to most new music at the station (and least most new music that was likely to suit our collective taste), but the sheer quantity of it made it easy to miss good new stuff. So sometimes a little outside reading was beneficial. Much as I’ve decried Rolling Stone in various electronic spaces over the years, the deeper you dug into their reviews … Continue reading One for Friday: Apollo Smile, “Dune Buggy”