Just before the curtains part for dawn and everything’s gone
There’s more where that came from. (Posted simultaneously to “Jelly-Town!”) Continue reading Just before the curtains part for dawn and everything’s gone
Author: Dan Seeger
One for Friday: A Digression
Usually this electronic space is devoted to sharing individual songs every Friday (as opposed to the weekly diversion at the site that otherwise mirrors this one). Several months ago, I shared an offering from the band that was one of the signature artists of my college radio station during the years that I was there as a student, a band called Too Much Joy. This past week, the band’s lead singer, Tim Quirk, posted a royalty statement from Warner Brothers that he’d fought long and hard to get. The statement details the amount the band has earned from sales of … Continue reading One for Friday: A Digression
Top Fifty Films of the 00s — Number Twelve
#12 — About Schmidt (Alexander Payne, 2002) One of the cinematic stands that I’ve taken with some regularity is that Jack Nicholson is the finest actor who made film his primary medium. This argument carries more weight with those who … Continue reading Top Fifty Films of the 00s — Number Twelve
Demme, Gibney, Macdonald, Redford, Siegel
The Agronomist (Jonathan Demme, 2003). I greatly admire Demme’s commitment to interspersing documentaries and other non-fiction offerings throughout his filmography, but I also need to sadly concede that this is not a strong effort. The film examine the life and contentious career of Jean Dominique, who operated a Haitian radio station committed to bringing information to the citizenry and speaking truth to power, especially during times when the country was being crushed by oppressive regimes. It’s easy to root for him, but Demme’s approach is too sedate, too withdrawn. This impassive approach prevents the film from becoming anything beyond a … Continue reading Demme, Gibney, Macdonald, Redford, Siegel
Do you see her face when she’s gone, sometimes so bright your heart just stops
It is not a love story. Well, in a way it is, and it certainly has all of the trappings of one. An Education follows a schoolgirl named Jenny in nineteen-sixties London who encounters a charming older man, and begins … Continue reading Do you see her face when she’s gone, sometimes so bright your heart just stops
Top Fifty Films of the 00s — Number Thirteen
#13 — Crouching Tiger, Hidden Dragon (Ang Lee, 2000) It is perhaps a marker of the diminished expectations of any film that is dominated and driven by action sequences that Ang Lee’s involvement in Crouching Tiger, Hidden Dragon initially seemed perplexing. Lee had made his mark with films that were about conversations rather than fisticuffs, films that were deeply invested in character. Even the battle sequences and other violent skirmishes in the film he’d made immediately prior, the flawed but underrated Civil War drama Ride with the Devil, were entirely secondary to small focused scenes that examined how the characters … Continue reading Top Fifty Films of the 00s — Number Thirteen
Here it comes, here it comes, here comes the serious bit
So this is what Jewish fatalism looks like stretched out to feature length. The new film from Ethan and Joel Coen, A Serious Man, focuses on a college professor at the dawn of the nineteen-seventies, facing a tenure hearing and … Continue reading Here it comes, here it comes, here comes the serious bit
Top Fifty Films of the 00s — Number Fourteen
#14 — Brokeback Mountain (Ang Lee, 2005) It is a love story, like a thousand movies than came before, and a thousand that will follow. It adheres to that most familiar of trajectories: two people meet, gradually fall into in one another’s arms, and face impediments to being together. There are two potential paths to the closing credits, one ending in bliss, the other in tragedy. Despite the familiarity, Brokeback Mountain is uniquely special. It’s not just that this romance is between two men, cowboys drawn to each other while charged with looking over a herd of sheep together on … Continue reading Top Fifty Films of the 00s — Number Fourteen
One for Friday: Ed Haynes, “Splash”
In this weekly space, I write a lot about music I procured fifteen or twenty years ago. Back then I was getting albums on vinyl, on CD, and, if desperate, on cassette. While it was no harder to find the newest U2 or R.E.M. record than it was to find Milli Vanilli or Aerosmith, a significant amount of the music that captured my interest required some hunting to get a copy (or sometimes pleading with whatever small label originally serviced the radio station with a second copy that could be added to a poor radio station staffer’s collection). Often the … Continue reading One for Friday: Ed Haynes, “Splash”
Top Fifty Films of the 00s — Number Fifteen
#15 — American Splendor (Shari Springer Berman and Robert Pulcini, 2003) The past decade was a good time for deconstructed narrative in film. Beginning with the mad flush of creativity of the cinematic year 1999, when the likes of Being … Continue reading Top Fifty Films of the 00s — Number Fifteen
Coffee for Two 