This used to be real estate, now it’s only fields and streams

It’s always a pleasure to go through our Sunday New York Times. It’s pretty rare, however, that there’s something in there that I feel compelled to share. That’s one of the buildings at the college that currently offers me gainful employment. Known as the EcoDorm, it’s one of only two student resident halls in the country that boasts the highest rating that can be given to buildings that receive LEED-certification for environmentally friendly construction and operation. The accompanying article calls it the “spiritual center” of campus. While that may be overstating it, the article (and the additional photos) does provide … Continue reading This used to be real estate, now it’s only fields and streams

One for Friday: The Judybats, “Down in the Shacks Where the Satellite Dishes Grow”

The music I write about in this space tends to be from my days as a student, toiling happily at the college radio station in Stevens Point, Wisconsin. This is partially because I want to stick to posting music that’s out of print, and the songs in my possession that fit that criteria are largely from this era. But it’s also because this is the music that sticks with me the most, the music that has stories associated with it, the music that leaves the strongest impression and has the strongest associations. The songs are the anthems of my youth, … Continue reading One for Friday: The Judybats, “Down in the Shacks Where the Satellite Dishes Grow”

Sorry to disturb you, but I feel that I should be heard loud and clear

“I’ve been an atheist all my life but I always knew that if my mum asked me when she was dying if there was a heaven I’d say yes. I’d lie. I think that’s how religion started — as a good lie.” –Ricky Gervais, quoted in an interview, though I found it somewhere else Continue reading Sorry to disturb you, but I feel that I should be heard loud and clear

Theatre goddess, film destroyer, New York girls are sure to enjoy her

The Women (Diane English, 2008). This remake of the 1939 George Cukor-directed comedy had been in development for so long that I swear we reported on it on the movie review radio show I co-hosted in college. That show ended in 1993. Watching the finished product, it’s easy to understand what inspired the reluctance. Similarly, the easiest explanation for the project finally coming to fruition is sheer attrition: Diane English must have simply outlasted the studio execs with sounder taste. As nice as it is to see the rarity of a movie filled with female characters, it would be nicer … Continue reading Theatre goddess, film destroyer, New York girls are sure to enjoy her