From the Archive: The Rocketeer

With the Oscar nominations due to be announced this week, I thought about trying to find some old Academy Award speculation from the days of the radio show, but it was pretty rare that there was a script involved in discussion on that topic. The Academy Awards — the ceremony, the history, the politics of nominations — was our shared wheelhouse. We could fill a fairly polished-sounding hour with little more than a couple notes of reference. Instead, I’ll use the recent television premiere of Agent Carter as inspiration for this week’s retrospective selection. I like the show thus far (and … Continue reading From the Archive: The Rocketeer

Great Moments in Literature

“He had never been completely unembarrassed while speaking on the radio; this was a fact (his mike fright was something else). He had always felt just a little silly announcing, introducing, selling, describing, interviewing, giving the time and telling the weather, doing local color, acting and reciting bed-time stories, holding up his spokesman’s end of the conversation — which in radio was the only end there was. For the truth of the matter was that radio was silence as well as sound; the unrelenting premise was that the announcer’s voice occurred in silence, in the heart of an attentive vacuum … Continue reading Great Moments in Literature

One for Friday: Apollo Smile, “Thunderbox”

As with many households, the start of a new years is bringing all sorts of ambitious sorting and reorganizing projects. In our domicile, one of the places that manifests is with a fresh pass at the music collection, specifically the weight shelf of CDs that now occupies a corner of the living room. We got a custom-built CD shelf years and years ago, and there’s long been a general understanding that we’d try to keep the accumulated discs to a number that could fit into that unit. That means it’s time for a little purging. To facilitate this — and, … Continue reading One for Friday: Apollo Smile, “Thunderbox”

From the Archive: Dutch

In the early nineteen-nineties, John Hughes was still enough of an active brand that I could write this entire review of Dutch without mentioning that it was actually directed by someone completely different, all the more notable given that it was Peter Faiman’s official follow-up to Crocodile Dundee, a ridiculously huge hit five years earlier. Hughes’s fingerprints are so messily smeared across the movie that it was — and is — strange to attribute its creative energies to anyone else (Hughes did write the screenplay.) This was released in the summer of 1991. Later that year, Hughes delivered what would … Continue reading From the Archive: Dutch