Arteta, Bergman, Howard, Newman, van Heijningen

Cries and Whispers (Ingmar Bergman, 1972). This intricate, cerebral, elusive drama from the acknowledged master of intricate, cerebral, elusive dramas takes place at stately mansion at the end of the 19th century. A woman named Agnes, played by Harriet Andersson, is on her deathbed and is seen to by her two sisters, both returned home due to their sibling’s terrible need, and the loving household maid. Each character gets their own individual segment, usually devoted to a flashback to some terrible emotional incident in the past, Bergman scraping at their existential agony like a merciless physician slicing at a poisonous … Continue reading Arteta, Bergman, Howard, Newman, van Heijningen

Burnett, Roach, Singer, Smith, Varda

Vagabond (Agnès Varda, 1985). Varda’s sedate, stirring drama follows a young itinerant woman, paying special attention to the variety of ways society expresses its disdain for her. To a degree, it’s because of her place on the tattered fringe of the social structure, but a remarkable amount of the pain she endures is provoked by her gender rather than her place in class culture. She’s used, dismissed and disregarded repeatedly. Sandrine Bonnaire is evocative and moving in the leading role, clearly investing deep feeling into the performance. It would be easy for the film to lapse into woeful melodrama, but … Continue reading Burnett, Roach, Singer, Smith, Varda