Jonathan Demme, 1944 – 2017

Among great film directors, there were none whose artistry was more humane than Jonathan Demme. Other filmmakers revel in the form, spinning visual wonders and engaging in dynamic editing in restless attempts to embed their personality on the screen. Demme wasn’t adverse to such creativity. His films were often striking in their novel use of technique, finessing the grammar of cinema until the shape of his storytelling was a another story itself, or at least another layer. But Demme didn’t employ such maneuvering to call attention to his personal creativity. Those choices weren’t about him. Instead, they were about the … Continue reading Jonathan Demme, 1944 – 2017

From the Archive: Untamed Heart

Untamed Heart came out in theaters in mid-February of 1993, so roughly six weeks before Marisa Tomei officially became an Oscar-winning actress. This was just another minor release hoping to scratch up a few more dollars as forced date movie in conjunction with a Hallmark holiday. Clearly I committed to the Valentine’s Day angle in writing this review, including an incredibly labored metaphor at the close. The movie Untamed Heart seems perfectly suited for a release around Valentine’s Day. It stars two appealing, attractive young performers going through the rigors of romance in style designed to jerk tears. There’s a … Continue reading From the Archive: Untamed Heart

Feist, Sandel, Singer, Stoller, West

In the Valley of Violence (Ti West, 2016). As an enthusiastic fan of Ti West’s early excursions into affectionately knowing spins on the horror genre, I had high hopes for his stab at the Western, the most venerable of Hollywood genres. In the Valley of Violence is serviceable, but it lacks the spark of vitality required to give it a true reason for being. Part of the problem is the hoariness of the premise, which West never manages to transcend with either reinvention of panache. A wandering, wounded soul (Ethan Hawke) seeks revenge in a dusty town presided over by a Marshal … Continue reading Feist, Sandel, Singer, Stoller, West

The Unwatchables: Now You See Me 2

Like most erudite (or, if you prefer, snobbish) modern film fans, I’m always ready to spring forth to decry the practice of making all decisions about which projects see the light according to a strained equation about the likelihood of spinning the material into a myriad of interconnection ancillary series. There can’t just be new Star Wars films. There must be a robust Star Wars universe, exploring side avenues and hidden histories that previously piqued the curiosity of precisely no one. But maybe — just maybe — if studios are going to commit to films largely on the basis of repeatability, … Continue reading The Unwatchables: Now You See Me 2

Laughing Matters: The Max Fischer Players

Sometimes comedy illuminates hard truths with a pointed urgency that other means can’t quite achieve. Sometimes comedy is just funny. This series of posts is mostly about the former instances, but the latter is valuable, too. “She’s the smartest person in the world, general. I think we ought to listen to her.” I love this with an intensity I’ll never be able to truly convey. Previous entries in this series can be found by clicking on the “Laughing Matters” tag. Continue reading Laughing Matters: The Max Fischer Players

From the Archive: Juno

Few filmmakers experienced quite as precipitous a drop as Jason Reitman. He went from back-to-back Best Director nominations to a pair of films that were universally panned (with, it’s worth noting, one compromised but ambition feature in between). Through it all, he’s at least had the live reads, regular events that brought together impressive groups of actors to offer one-time-only, live stage performances of some truly beloved screenplays. Though the event is officially retired as an ongoing concern, Reitman is clearly keeping it in his back pocket, ready to throw on the table when the moment is right, such as a … Continue reading From the Archive: Juno

From the Archive: Dreamgirls

The proper way for me to raid my own writing history to align with the major release this weekend entails unearthing my original radio review for the animated classic Beauty and the Beast, from 1991. I did write one at the time. And I was fairly proud of it, if I’m recalling correctly. That review is lost to the eroding waters of time (or at least taped into a box that hasn’t been accessed in a good long time). So I’ll instead look to the director of the new live-action take on Disney’s finest animated effort (Pixar movies don’t count). … Continue reading From the Archive: Dreamgirls

Now Playing: Kong: Skull Island

When sitting before a modern aspiring blockbuster, I often feel like I know what the pitch must have sounded like as the filmmakers cajoled a major studio into giving them piles of money to build on vital piece of the cinematic franchise. In the case of Kong: Skull Island, I instead found myself thinking about what must have enticing the actors to sign on the bottom line, beyond the promise of filthy lucre, of course. What kind of exuberance director Jordan Vogt-Roberts and his collaborators must have brought to meetings in which they regaled the potential onscreen talent with the promise … Continue reading Now Playing: Kong: Skull Island

Collet-Serra, Davis, Heisler, Levine, Lewis

Lion (Garth Davis, 2016). The feature debut from Garth Davis — who has major cred in my book for directing half of Jane Campion’s great Top of the Lake — looks like the same achingly earnest, self-consciously award-hungry cinema the Weinsteins have been delivering since their Miramax days. For the first half of the film anyway, it’s far sharper and more compelling than that. When five-year-old Indian boy Saroo (played at that age by Sunny Pawar) gets separated from his family after boarding the wrong train, his travails lost, alone, and unable to effectively communicate about where he’s from are … Continue reading Collet-Serra, Davis, Heisler, Levine, Lewis