Now Playing: Hail, Caesar!

Much as I’m a devoted disciple of the work of the Coen brothers, I can admit there are all sorts of forecastable reasons to expect that a new film they’ve made might not quite work. The susceptibility to recurring flaws isn’t an automatic outcome of having such clear cinematic voices, but Joel and Ethan Coen have committed themselves so thoroughly to a bleakly comic outlook tinged with ironic detachment, a quality often conveyed with self-consciously rambunctious visuals, that certain predictable troubles can easily reoccur. Most noticeably, their viewpoint can manifest as a lack of sincerity that sets a narrative slamming into a … Continue reading Now Playing: Hail, Caesar!

Top Ten Movies of 2015 – Number Five

While I remain fully committed to only judging a movie by the material to be found in its digital frames, from the first flicker of storytelling life to the moment the closing credits complete their upward crawl to oblivion, there are admittedly time when knowing details of a creative path can bestow an added shimmer to an already shining cinematic effort. Inside Out, director Pete Docter’s follow-up to the tremendous Up, is a grandly inventive achievement all on its own, depicting the inner life a young girl as a sort of workplace comedy, with simple emotions personified and going about the … Continue reading Top Ten Movies of 2015 – Number Five

From the Archive: The Player

And here we are at the top of my list of the best films of 1992, at least at the time of our broadcast. As I note in the write-up, my on air cohort and I agreed on the title that deserved to be called the top cinematic offering of that year. In fact, that was remarkably commonplace through the years. Basically every time we talked about top films of any given year on the radio, we were in complete agreement about the #1 position, a trends that persisted at least a couple years past the end of the show. … Continue reading From the Archive: The Player

Top Ten Movies of 2015 — Number Six

I’m tempted to name Tangerine as the boldest film of the year, although not really for the reasons that might immediately seem the impetus for that praise. Yes, the film gives its primary focus to a pair of transexual women of color (Mya Taylor and Kitani Kiki Rodriguez), both sex workers in Los Angeles, with a side consideration of the Armenian diaspora in the same city. Across the board, these aren’t communities or topics that most filmmakers, even those who are proudly independent voices, are especially anxious to address. Yet, the immersive view of these populations isn’t what makes the … Continue reading Top Ten Movies of 2015 — Number Six

Top Ten Movies of 2015 — Number Seven

The comparison to All the President’s Men is irresistible, only because it is so apt. With Spotlight, named after the investigative journalism unit at The Boston Globe, director Tom McCarthy traces the efforts of a team of dedicated reporters examining the pervasive sexual abuse of minors perpetrated by members of the Catholic clergy and the reprehensible cover-up of those crimes by the institutional powers within the Church. Like Alan J. Pakula’s sterling 1976 drama, Spotlight approaches its subject with a commitment to depicting the meticulous toil that goes into building a devastating, revelatory newspaper article of undeniable fact, essentially celebrating the … Continue reading Top Ten Movies of 2015 — Number Seven

Carey, Harvey, Hill, Maloof and Siskel, Shepard

Carnival of Souls (Herk Harvey, 1962). The film begins with a car crash, the vehicle careening off a cliff into the murky drink. Though the authorities are unable to find the vehicle’s female occupant (Candace Hilligoss), she eventually emerges, carrying no memory of how she survived. She proceeds with her plan, traveling to Utah for a job as a church organist. From there, writer-director Harvey, along with co-screenwriter John Clifford, comes up with downright ingenious ways to build scenes with unsettling layers with an obviously meager budget. The movie is ticklishly amusing given some of its more dated elements and amateurish … Continue reading Carey, Harvey, Hill, Maloof and Siskel, Shepard

From the Archive: Unforgiven

As we continue to trek through the favored films I wrote about for the special year-end edition of The Reel Thing, I will now note that we also carved out a few minutes in the episode to discuss the worst films of 1992. Currently blessed with the selectivity of a part-time film critic, I’m decidedly ill-equipped to come up with such a list, but we had no shortage of contenders back then, especially with small-town screens serving as our main source of cinema. So, straight from the script, here’s my list of the worst films of 1992: Look, there’s a … Continue reading From the Archive: Unforgiven

Top Ten Movies of 2015 — Number Eight

Alex Ross Perry’s Queen of Earth is spectacularly discombobulating. The bare bones of the plot make it seem as plain and direct as can be: Catherine (Elizabeth Moss), reeling from the death of her father and a recent breakup, goes to spend a week at a lake house with her best friend, Virginia (Katherine Waterston). The broken neediness that Catherine carries with her parallels that of Virginia one year earlier, as does the lack of sympathy in others stirred by that vivid sorrow. The execution of the story, however, is anything but simple, with Perry taking the already strong emotions and … Continue reading Top Ten Movies of 2015 — Number Eight

Greatish Performances #22

#22 — Oliver Platt as Dennis Murphy in Bulworth (Warren Beatty, 1998) Once a film about politics swerves toward satire, there’s a hope and expectation that it will be simultaneously revelatory and prescient, especially if the cinematic endeavor in question comes from one of Hollywood’s more revered figures. The fourth film to formally credit Warren Beatty as director eagerly viewed as precisely that sort of astute, forward-thinking examination of the nation’s ruptured system for identifying worthy public servants. Even at the time of its release, Bulworth seemed to be missing its target, in part because Beatty couldn’t entirely split the … Continue reading Greatish Performances #22

Top Ten Movies of 2015 — Number Nine

Approaching ten years since the heartless, virulently irresponsible greed of countless Wall Street hooligans decimated the United States housing market, the one part of the nation’s economy thought to be practically bulletproof, and nearly took the entire global financial network down with it, and the repercussions against the perpetrators have been practically nonexistent. Damning journalism and ferocious editorials haven’t shifted the national narrative. Maybe comedy can help.  In adapting Michael Lewis’s the non-fiction book The Big Short, which itself is infused with an apoplectic wryness, filmmaker Adam McKay brings his long history as a boisterously committed comic voice (mostly working … Continue reading Top Ten Movies of 2015 — Number Nine