#10 — The Bridge on the River Kwai (David Lean, 1957) David Lean’s The Bridge on the River Kwai is one of the films that I remember as being a fairly constant presence when I was much younger, always helping a … Continue reading Top Fifty Films of the 50s — Number Ten
#11 — Paths of Glory (Stanley Kubrick, 1957) War films have long been a staple of Hollywood, a situation only compounded by the staggering surplus of stories that could be culled from WWII, a global conflict that could be forever … Continue reading Top Fifty Films of the 50s — Number Eleven
Since writing this, nearly twenty-four years ago (good gravy, I think I need to sit down), I’ve decided that Stand By Me is probably more like Rob Reiner’s third best movie. There are a couple of his films that are clearly better, but they don’t have the same tinge of somber importance to them, so I downgraded them at the time. However, I stick with Stand By Me as the best film adaptation of a King work, by a wide margin. Sorry, Shawshank disciples. It’s interesting to think back on this film as the effective introduction of Kathy Bates and … Continue reading From the Archives: Misery
#12 — Throne of Blood (Akira Kurosawa, 1957) Apparently, the official translation of the original Japanese title of Akira Kurosawa’s revisioning of Macbeth is Spider Web Castle. This isn’t purely metaphor, since the game of thrones being played in the … Continue reading Top Fifty Films of the 50s — Number Twelve
As I noted recently, it’s been a long time since our household made the proper commitment to a good ol’ fashioned Bad Movie Night. Our tradition is long and honored: a double feature, preferably with some sort of link and … Continue reading Bad Movie Night — Battleship/John Carter
As I started gathering some digital resources to provide supporting research in writing about the new film Gone Girl, I was briefly taken aback when reminded that Gillian Flynn’s novel of the same name came out just two years ago, … Continue reading Beautiful girl, lovely dress, where she is now I can only guess
I’m overjoyed that I’m presenting a review in which I use the word “downright” twice. As the Gone Girl think pieces begin to pile up, let’s revisit the last decent work of a director who has genuine threads of misogyny running through his work, shall we? This was written for the Reel Thing Reports that ran a couple times a day on WWSP-90FM after my graduation necessitated retiring the weekly program of the same (or same-ish, to be accurate) name. Almost all of director Brian De Palma’s films include at least one passage that is put together with such impressive … Continue reading From the Archive: Carlito’s Way
#13 — Rear Window (Alfred Hitchcock, 1954) Sometimes when a work of art can reasonably be deemed prescient, what’s actually happening is the fiction is tapping into a fundamental truth about human nature, something that can carry forward and be … Continue reading Top Fifty Films of the 50s — Number Thirteen
The Skeleton Twins begins with the siblings of the title a continent apart, but both at the same dismal low point. It turns out that Milo (Bill Hader) is a step ahead of his sister, Maggie (Kristen Wiig). As she’s … Continue reading Poor skeleton steps out, dressed up in bad blood
It makes me a little sad that it’s now been well over two years since the last time I had cause to offer a Bad Movie Night post. This used to be one of our proudest household traditions. Well, wait. … Continue reading From the Archive: Ghost Rider and The Wicker Man
Coffee for Two 