One of the things I appreciated most from the very beginning with Spectrum Culture was the site’s editorial mandate to reserve five-star reviews–the top of our rating system–for only the very best of the best. There was even a process … Continue reading Spectrum Check
The kismet of cinematic artistry is elusive, which unfortunately alleviates the unfair sense of disappointment when the most creative individuals struggle through dry spells. By now, it’s understood that Woody Allen is too prolific (and too unconcerned with anything other … Continue reading Top Ten Movies of 2013 — Number Nine
#50 — Lady and the Tramp (Clyde Geronimi, Wilfred Jackson, and Hamilton Luske, 1955) Everything I know about romance I learned from Lady and the Tramp. I’m not sure when I first saw it. Maybe it was during its 1980 … Continue reading Top Fifty Films of the 50s — Number Fifty
And so our extended exercise in chronological backtracking through list-making and backward counting reaches the nineteen-fifties, which is the first decade of film covered that I didn’t come too with a clear vision of it. I had firsthand experience with the aughts, the nineties, and the eighties. As for the seventies and sixties, they loomed large in my understanding of cinema history, thanks to defining revolutions in American and French film. What’s more, the fifties don’t have quite the same automatic allure as the forties, which I associate with my beloved film noir, or the thirties, which virtually percolated with … Continue reading Top Fifty Films of the 50s — An Introduction
Director Paul Greengrass is great at the particulars of a film’s story. That’s what made United 93 comes across a model of titanic restraint when it arrived, its keen attention to the simplest details of people reacting to terrible turns of history providing an emotional poignancy that Hollywood script speechifying could never muster. Even his contributions to the Bourne series are at their best when tightly focused on the physical mechanics of the scenes. And that’s what gives Captain Phillips its bracing immediacy. Based on actual events that took place in 2009, the film follows the hijacking of a cargo … Continue reading Top Ten Movies of 2013 — Number Ten
One of the great disadvantages of plying an amateur film critic trade is that the bevy of opportunities to see the best cinematic offerings of any given year–the major film festivals, the pile-up of fourth quarter press screenings designed to dazzle just in time for various associations’ awards–are denied me, a situation further compounded by living in the hinterlands, well away from the qualifying runs of films in the big cities. So when the critical community is rising up to breathlessly proclaim a movie year to be especially good, the sentiment can seem a little off to me. Sure, I … Continue reading Top Ten Movies of 2013 — An Introduction
Before he started directing feature films, Spike Jonze had a deserved reputation a master crafter of wildly entertaining and even innovative music videos. However, I think his best single piece of work away from the big screen is clear: the … Continue reading I wouldn’t be me if she wasn’t her
This might seem like a strange observation, but it’s a reaction I can’t quite shake: I think Inside Llewyn Davis is the gentlest film Joel and Ethan Coen have ever made. There’s a lot of aggression across the shared filmography … Continue reading But I’ve got no home, nowhere to roam, don’t even have a place to sing my songs
When I was first added to the Spectrum Culture roster, it was strictly as a film writer. Certainly, I still think that’s the strongest writing I do — much as I strive to develop my word-slinging in other areas — … Continue reading Spectrum Check
Gold Diggers of 1933 (Mervyn LeRoy, 1933). This big musical from the tail end of the Pre-Code Hollywood era is fascinating for its many contradictions, beginning with the framing of Great Depression challenges with a notably defeatist cheer. The production numbers are the handiwork of Busby Berkeley (the songs are by Harry Warren and Al Dubin) and they show off his skill at mesmerizing vastness. “We’re in the Money” is probably the most famous, but others are more interesting, especially the lengthy “Pettin’ the Park,” which includes a strikingly sexy moment involving a bevy of beauties changing behind a sheer … Continue reading Jones, Kubrick, LeRoy, Park, Tourneur
