Michael Haneke’s Amour is about death. An elderly couple living in Paris go from a quiet, comfortable life together to a shared existence defined almost entirely by the deterioration of one of them, a progression from health to physical decrepitude … Continue reading Top Ten Movies of 2012 — Number Two
#46 — Nothing But a Man (Michael Roemer, 1964) It’s not as if precarious social topics weren’t tackled in American cinema prior to the nineteen-sixties, but such efforts clearly benefited from both the new, bracing levels of frankness creeping into … Continue reading Top Fifty Films of the 60s — Number Forty-Six
For the most part, we writers are allowed to pick the films we review for Spectrum Culture. There are limitations, of course, especially for those of us who live in more remote areas that don’t offer advance screenings of major releases for critics. Still, every week afford us the opportunity to peruse the vast array of new movies coming out, picking the title we’d like to cover. I was a little uncertain when looking at my choices for this week, finally narrowing it down to two different options. I finally asked my partner in all things to help me settle … Continue reading Spectrum Check
There’s no getting around it: I’m a sucker for the films of Rian Johnson. I loved his debut feature and his sophomore effort, sometimes feeling like an isolated supporter of the latter. There’s a crispness to his writing and an … Continue reading Top Ten Movies of 2012 — Number Three
Much has been made of Steven Soderbergh’s announced intention to retire from film directing–at least for the big screen–now that he’s completed and released Side Effects. There’s a certain wistfulness to all the discussion surrounding the film, and assessments have … Continue reading Well, you burnt my house down, then got mad at my reaction
Pure audacity at twenty-four frames per second (or whatever the digital projection equivalent might be), French director Leos Carax’s fifth feature film, and first since 1999’s Pola X, is a meta examination of the art of creativity, both in the … Continue reading Top Ten Movies of 2012 — Number Four
I pitched in for both of my regular areas this week at Spectrum Culture. On the film side, I wrote a review of a new documentary on the widely protested incarceration of Mumia Abu-Jamal. I actually took this one on for a very specific reason: I’ve now spent at least twenty years hearing cries of “Free Mumia” from a certain, impassioned subsection of society, without ever hearing a corresponding explanation for why his sentence is unjust. I presumed the documentary would provide that, but it instead glossed over the particulars of the situation in much the same way I was … Continue reading Spectrum Check
It is Hushpuppy’s voice, which is also (or actually) Quvenzhané Wallis’s voice, that first establishes the dreamlike grittiness of Beasts of the Southern Wild, the dazzling debut feature from director Benh Zeitlin. Accompanied by an intoxicating montage of her cheerful … Continue reading Top Ten Movies of 2012 — Number Five
#47 — Targets (Peter Bogdanovich, 1968) Sometimes stories from the heyday of Roger Corman’s low-budget productions–when he was regularly able to attract highly skilled filmmakers who needed a break and didn’t have the option of cheapo homemade digital production to … Continue reading Top Fifty Films of the 60s — Number Forty-Seven
One of the most rattling news stories to emerge near the end of 2012 noted that reported sexual assaults were up dramatically at U.S. military academies during the year, a rise of 23 percent. That is alarming, but there is … Continue reading Top Ten Movies of 2012 — Number Six
Coffee for Two 