Bernhardt, Bicquet, Donen, Huston, Pakula

Two for the Road (Stanley Donen, 1967). This comic drama about the evolution of a marriage, with particular focus on the sharp degradation it experiences, is playful with its chronology in a way that must have been completely novel at the time of the film’s release. Now, it’s a more familiar cinematic approach, which doesn’t make Two for the Road terribly ineffective, though it does undercut some of the sillier moments that were presumably inserted to make the film easier to grasp a hold of for perplexed audiences. Audrey Hepburn and Albert Finney are both terrific as they play the … Continue reading Bernhardt, Bicquet, Donen, Huston, Pakula

Spectrum Check

Only a couple of things from me this week. First, I reviewed a new documentary about El Bulli, the famed Spanish restaurant that revolutionized gourmet food, essentially expanding the parameters of how it could be prepared and the level of creativity that could show up on each plate. Every time someone on Top Chef makes a “foam” or drags liquid nitrogen through the kitchen, there’s a dotted line leading back to El Bulli. I’m especially grateful that I reviewed Frederick Wiseman’s Boxing Gym last year because that gave me a vital vocabulary to use in discussing the structure of this … Continue reading Spectrum Check

Spectrum Check

The first thing I had go up on the site this week was a book review. Embarrassingly enough, this was something I could have and should have written months ago. Yes, that’s months. There was just always other material that was more pressing and it stayed simmering on the back burner until the bottom of the pan was covered with a crusty blackness as impenetrable as concrete. Needless to type, I’ve been very reluctant to sign up for further book reviews. Movie reviews, though…I’m all over that. This week I got the chance to review the new documentary from Errol … Continue reading Spectrum Check

Avakian, Mankiewicz, Rohmer, Tavernier, Vidor

Suddenly, Last Summer (Joseph L. Mankiewicz, 1959). Tennessee Williams is such a bold, distinctive writer that watching a film adaptation of one of his works sometimes consists largely of gauging how effectively the various actors wrestle with his challenging words and emotions. As a stalwart young doctor who gets drawn into the tangled affairs of a wealthy New Orleans family, Montgomery Clift is solid enough, although, at this relatively late point in his troubled career, he’d lost whatever lightness of touch he once had. Elizabeth Taylor strains beautifully as the fragile, damaged girl whose state of mind the plot hinges … Continue reading Avakian, Mankiewicz, Rohmer, Tavernier, Vidor

Spectrum Check

Oh, the French. My first piece for Spectrum Culture this week was a review of the new film from director Catherine Breillat, who’s been playing around with classic fairy tales of late. This time, it’s the tale of Sleeping Beauty that she transforms, merging it with at least one other fable. Naturally, there’s some gratuitousness topless bathing in it. I also turned in a record review that was a little late, but not as shamefully late as the book review I recently sent it. That hasn’t run yet. I’ll sheepishly share that story when it does. Continue reading Spectrum Check