Cassavetes, Gilroy, Jarrold, Martin, Park

Duplicity (Tony Gilroy, 2009). Gilroy’s follow-up to Michael Clayton is a smart, witty film that uses corporate espionage as a backdrop for a creative romantic comedy. Julia Roberts and Clive Owen play a pair of former spies who use their background to gain entry to the incredibly sophisticated security divisions of dueling pharmaceutical companies, weaving an elaborate moneymaking scam they plan to implement from within. Gilroy’s script is dense and complicated, but always clear, and provides the two leads with ample opportunity to show how movie star charisma can be mixed with shrewdly insightful acting to build great performances. Roberts … Continue reading Cassavetes, Gilroy, Jarrold, Martin, Park

Demme, Gibney, Macdonald, Redford, Siegel

The Agronomist (Jonathan Demme, 2003). I greatly admire Demme’s commitment to interspersing documentaries and other non-fiction offerings throughout his filmography, but I also need to sadly concede that this is not a strong effort. The film examine the life and contentious career of Jean Dominique, who operated a Haitian radio station committed to bringing information to the citizenry and speaking truth to power, especially during times when the country was being crushed by oppressive regimes. It’s easy to root for him, but Demme’s approach is too sedate, too withdrawn. This impassive approach prevents the film from becoming anything beyond a … Continue reading Demme, Gibney, Macdonald, Redford, Siegel

Top Fifty Films of the 00s — Number Thirteen

#13 — Crouching Tiger, Hidden Dragon (Ang Lee, 2000) It is perhaps a marker of the diminished expectations of any film that is dominated and driven by action sequences that Ang Lee’s involvement in Crouching Tiger, Hidden Dragon initially seemed perplexing. Lee had made his mark with films that were about conversations rather than fisticuffs, films that were deeply invested in character. Even the battle sequences and other violent skirmishes in the film he’d made immediately prior, the flawed but underrated Civil War drama Ride with the Devil, were entirely secondary to small focused scenes that examined how the characters … Continue reading Top Fifty Films of the 00s — Number Thirteen

Top Fifty Films of the 00s — Number Fourteen

#14 — Brokeback Mountain (Ang Lee, 2005) It is a love story, like a thousand movies than came before, and a thousand that will follow. It adheres to that most familiar of trajectories: two people meet, gradually fall into in one another’s arms, and face impediments to being together. There are two potential paths to the closing credits, one ending in bliss, the other in tragedy. Despite the familiarity, Brokeback Mountain is uniquely special. It’s not just that this romance is between two men, cowboys drawn to each other while charged with looking over a herd of sheep together on … Continue reading Top Fifty Films of the 00s — Number Fourteen