I want the strong “M,” erase it and back to The Madison

It may be telling that upon returning to Madison for the first extended visit in several years, the very first place I went was a movie theater. To be thorough and accurate, it was the Sundance Cinema, which opened two years ago. I’ve been very curious about this particular venue for a few reasons, led by the fact that it’s been gestating for an awfully long time. We included a news story about plans for a small chain of Sundance movie theaters back on the old radio movie review show, meaning there was open discussion of this at least sixteen … Continue reading I want the strong “M,” erase it and back to The Madison

B movie, that’s all you are to me

Get Smart (Peter Segal, 2008). So mechanical that it quickly becomes depressing. This launch of a new film franchise based on the sixties TV spy spoof–it’s nearly impossible think of it in terms of a single film rather than the beginning of an ongoing endeavor–is assembled from repurposed parts and spectrum-spanning cast members designed to make sure there’s at least one person in the credits that appeals to any randomly selected potential moviegoer. Anne Hathaway, playing Agent 99, has one moment that she plays with admirable commitment to honest emotions. I’m assuming that her castmates consulted with her after that … Continue reading B movie, that’s all you are to me

Wasting time, dropping lines like “I could get you into movies”

Atlantic City (Louis Malle, 1980). Malle’s film is about the ways in the which the glimmers of remaining light at the end of the day can lure the most desperate into believing it’s actually the unexpected emergence of a new dawn. Burt Lancaster plays the old-time small-timer at the heart of the film, conveying his forlorn desperation and self-deluding rejuvenation with great delicacy. You can feel the character shift as his opportunities the become the big operator he’s always fancied himself begin to come to pass. But the film is about reality rather than aspirations. Malle keeps it all grounded, … Continue reading Wasting time, dropping lines like “I could get you into movies”

I dreamed i was in a hollywood movie and that I was the star of the movie, this really blew my mind

Somebody Up There Likes Me (Robert Wise, 1956). By all accounts, this is the film that made Paul Newman a star. The most intriguing thing about that is that his performance here has little of the charismatic verve that drove later work in films like Hud or Butch Cassidy and the Sundance Kid. It’s a thick, meaty character piece as Newman plays boxer Rocky Graziano as his pummels his way from backstreet destitution to the heavyweight championship of the world. Newman brings integrity to his character’s brutishness, subsuming his natural sparkle in favor of a honest portrayal of simpler man. … Continue reading I dreamed i was in a hollywood movie and that I was the star of the movie, this really blew my mind