The Harder They Fall, the feature directorial debut of Jeymes Samuel, is awash in its influences, and that seems to be the point. The film is a mish-mash of Spaghetti Westerns, Sam Peckinpah, John Ford, and Howard Hawks, modernized with … Continue reading Now Playing — The Harder They Fall
In Praise Of Movies That Just End (Because They Used To Know When To End) by Mike Ryan This is exactly the sort of grumpy-old-man movie criticism I’m looking for these days. I’ve been slow to reengage in the moviegoing … Continue reading Outside Reading — The Last Frame of the Last Reel edition
#53 — Jenny Slate as Donna Stern in Obvious Child (Gillian Robespierre, 2014) When Gillian Robespierre developed her feature directorial debut, Obvious Child, she had Jenny Slate in mind for the lead role of Donna, a woman whose drunken canoodling … Continue reading Greatish Performances #53
American Animals (Bart Layton, 2018). Bart Layton’s heist drama is drawn from an actual crime perpetrated by a group of young men in the early two-thousands, and the filmmaker creatively incorporates documentary — and documentary warping — contributions from the … Continue reading Then Playing — American Animals; Madeline’s Madeline; No Time to Die
Denis Villeneuve’s Arrival is a science fiction film dominated by ideas. His Blade Runner 2049 is a science fiction film dominated by imagery. Dune strikes me as the filmmaker’s attempt to mesh those two divergent approaches together into a singular … Continue reading Now Playing — Dune
Without You I’m Nothing (John Boskovich, 1990). Too much of an iconoclast to have an easy path in the world of entertainment, Sandra Bernhard had to make her own way. In the late nineteen-eighties, she mounted a one-woman stage show … Continue reading Then Playing — Without You I’m Nothing; Love Is Strange; The One and Only Dick Gregory
The Worst Person in the World lays out its structure at the very top. The film consists, viewers are informed, of a prologue, twelve chapters, and an epilogue. The table of contents presented, the film introduces Julie (Renate Reinsve), a … Continue reading Now Playing — The Worst Person in the World
The core conceit of Petite Maman emerges with gentle grace. A young family — mother, father, eight-year-old daughter — returns to a childhood home to clear out the belongings of a recently deceased relative. It is a somber affair, but … Continue reading Now Playing — Petite Maman
The Ascent (Larisa Shepitko, 1977). The fourth and final feature from Soviet director Larisa Shepitko is a powerhouse drama set during World War II. After Sotnikov (Boris Plotnikov) and Rybak (Vladimir Gostyukhin) are dispatched from their unit to seek desperately … Continue reading Then Playing — The Ascent; Love Field; Dune
Pure Nostalgia: The Oral History of ‘That Thing You Do!’ by Jake Kring-Schreifels Jake Kring-Schreifels draws a dream assignment: gathering reminiscences about Tom Hanks’s directorial debut, That Thing You Do! The considerable charm of the feature comes through in the … Continue reading Outside Reading — A Record Record Record? edition
Coffee for Two 