Those Who Wish Me Dead (Taylor Sheridan, 2021). Taylor Sheridan’s second feature as a director builds on his oeuvre of Mountain West thrillers. In Those Who Wish Me Dead, Angelina Jolie plays Hannah Faber, a plays-by-her-own-rules somkejumper who’s been given … Continue reading Then Playing — Those Who Wish Me Dead; The Hunt; Repast
For a variety of reasons, it was probably inevitable that Eternals would be the most ambitious film released to date under the Marvel Entertainment banner. While director Chloé Zhao hasn’t shown a penchant for David Lean–style epics to this point … Continue reading Now Playing — Eternals
The protagonist of Last Night in Soho, Edgar Wright’s latest film, can be viewed as a surrogate for any number of filmmakers, including, just maybe, the one who presides over her story. Ellie (Thomasin McKenzie) is a young woman from … Continue reading Now Playing — Last Night in Soho
O Ébrio (Gilda de Abreu, 1946). This Brazilian film, the directorial debut of Gilda de Abreu, was a smash hit on its home turf at the time of its release. The film follows the shifting fortunes of Gilberto (Vicente Celestino), who … Continue reading Then Playing — O Ebrio; Jeanne Eagels; Let Them All Talk
The Harder They Fall, the feature directorial debut of Jeymes Samuel, is awash in its influences, and that seems to be the point. The film is a mish-mash of Spaghetti Westerns, Sam Peckinpah, John Ford, and Howard Hawks, modernized with … Continue reading Now Playing — The Harder They Fall
In Praise Of Movies That Just End (Because They Used To Know When To End) by Mike Ryan This is exactly the sort of grumpy-old-man movie criticism I’m looking for these days. I’ve been slow to reengage in the moviegoing … Continue reading Outside Reading — The Last Frame of the Last Reel edition
#53 — Jenny Slate as Donna Stern in Obvious Child (Gillian Robespierre, 2014) When Gillian Robespierre developed her feature directorial debut, Obvious Child, she had Jenny Slate in mind for the lead role of Donna, a woman whose drunken canoodling … Continue reading Greatish Performances #53
American Animals (Bart Layton, 2018). Bart Layton’s heist drama is drawn from an actual crime perpetrated by a group of young men in the early two-thousands, and the filmmaker creatively incorporates documentary — and documentary warping — contributions from the … Continue reading Then Playing — American Animals; Madeline’s Madeline; No Time to Die
Denis Villeneuve’s Arrival is a science fiction film dominated by ideas. His Blade Runner 2049 is a science fiction film dominated by imagery. Dune strikes me as the filmmaker’s attempt to mesh those two divergent approaches together into a singular … Continue reading Now Playing — Dune
Without You I’m Nothing (John Boskovich, 1990). Too much of an iconoclast to have an easy path in the world of entertainment, Sandra Bernhard had to make her own way. In the late nineteen-eighties, she mounted a one-woman stage show … Continue reading Then Playing — Without You I’m Nothing; Love Is Strange; The One and Only Dick Gregory
Coffee for Two 