#3 — The Tree of Life (Terrence Malick, 2011) Terrence Malick’s The Tree of Life is cinema a formed by memory. Or maybe it’s cinema in the shape or memory. Or cinema capturing the texture of memory. Or cinema turned … Continue reading Top Fifty Films of the 10s — Number Three
“There was always the feeling that you were in the presence of thwarted violence,” Orson Welles once said of the Hollywood hand he hired to help him with the screenplay of his first feature film. “It was this thrashing of … Continue reading Now Playing — Mank
#4 — Cold War (Paweł Pawlikowski, 2018) Cold War is the story of Zula (Joanna Kulig) and Wiktor (Tomasz Kot). Not long after the end of World War II, Wiktor is one of the people charged with presiding over a … Continue reading Top Fifty Films of the 10s — Number Four
The Trial of the Chicago 7 (Aaron Sorkin, 2020). Aaron Sorkin finds the ideal vehicle for his talky liberal indignation in the sham legal case leveled against a group of protestors who were bullied and brutalized by Chicago police officers … Continue reading Then Playing — The Trial of the Chicago 7; Slice; Horse Girl
Nearly twenty-five years ago, The Birdcage was released to enthusiastic reviews. There were dissenters within the critical community, though, including at least one writer I remember who took great offense at the Mike Nichols–directed film mining comedy from gay men … Continue reading Now Playing — Happiest Season
Born in Flames (Lizzie Borden, 1983). Lizzie Borden’s riveting experimental film is set in a fuzzily defined near future following a revolution that presumably created a more equitable society. Instead, women are still regularly belittled, persecuted, and attacked, and different … Continue reading Then Playing — Born in Flames; Beau Travail; First Cow
#5 — The Last Black Man in San Francisco (Joe Talbot, 2019) At the beginning of The Last Black Man in San Francisco, the main characters are waiting. Jimmie (Jimmie Fails) and Mont (Jonathan Majors) are sitting at the side … Continue reading Top Fifty Films of the 10s — Number Five
#6 — Moonrise Kingdom (Wes Anderson, 2012) Wes Anderson’s Moonrise Kingdom is enamored with stories and storytelling. The celebration manifests in part through the mils obsession of Suzy Bishop (Kara Hayward), a youthful resident of the island community New Penzance … Continue reading Top Fifty Films of the 10s — Number Six
Sometimes comedy illuminates hard truths with a pointed urgency that other means can’t quite achieve. Sometimes comedy is just funny. This series of posts is mostly about the former instances, but the latter is valuable, too. Before I ever watched … Continue reading Laughing Matters — Taxi Driver, the sitcom
The Hitch-Hiker (Ida Lupino, 1953). Widely credited as the only classic Hollywood film noir directed by a woman, The Hitch-Hiker is a nasty hard knot of a movie. Inspired by a real crime spree that took place across the Western … Continue reading Then Playing — The Hitch-Hiker; Shoes; The Way Back
Coffee for Two 