This Tom Hanks Story Will Help You Feel Less Bad by Taffy Brodesser-Akner Taffy Brodesser-Akner is the ace of The New York Times staff of writers covering celebrity culture, often taking on more prickly subject and giving a telling prominence … Continue reading Outside Reading — Neighborly edition
Greta (Neil Jordan, 2019). Neil Jordan’s first feature film in six years is a trashy, inane thriller that’s miles removed from his best work. Except for the requisite appearance by Stephen Rea, it doesn’t even bear much resemblance to the … Continue reading Playing Catch-Up — Greta; A Warm December; Veronika Voss
Okay, let’s start with Hitler. Taika Waititi’s new film, Jojo Rabbit, is built around a conceit that’s basically a sick joke dramatized. In Germany, as the end of World War II looms, a ten-year-old named Jojo (Roman Griffin Davis) is … Continue reading Now Playing — Jojo Rabbit
At the beginning of Parasite, the new film from director Bong Joon-ho, the Kim family is so far down on the economic ladder that they’re literally underground. Their cramped, cluttered apartment is in the basement of a South Korean urban … Continue reading Now Playing — Parasite
There are many building blocks of the internet, but the cornerstones are think pieces, offhand lists, and other hollow provocations meant to stir arguments and, therefore, briefly redirect web traffic. Engaging such material is utterly pointless. Then again, it’s not like I … Continue reading Bait Taken — Marty and Marvel
Aquaman (James Wan, 2018). The relatively cinematic merits, or lack thereof, of Marvel Studios’ blockbuster epics has been a mostly mortifying public debate in recent weeks, evidently requiring every director of note to weigh in. While the fact that Martin … Continue reading Playing Catch-Up — Aquaman; Dolemite Is My Name; Green Room
These posts celebrate the movie trailers, movie posters, commercials, print ads, and other promotional material that stand as their own works of art. My obsession with movies predates my ability to see a lot of them. When I was a … Continue reading The Art of the Sell — Movie tie-in trading cards
Hagazussa (Lukas Feigelfeld, 2019). An oily stew of a movie that has some aromas familiar from Robert Eggers’s The Witch, this German horror film is set in the verdant, unforgiving mountain in the fifteenth century. An odd, withdrawn woman named Albrun (Aleksandra Cwen) … Continue reading Playing Catch-Up — Hagazussa; The Whip Hand; Gloria Bell
La Pointe Courte (Agnès Varda, 1955). Three years before Claude Chabrol’s Le Beau Serge, the film usually cited as the beginning of the French New Wave, Agnès Varda delivered this film that certainly flaunts a lot of the hallmarks of … Continue reading Playing Catch-Up — La Pointe Courte; Boy Erased; Stan & Ollie
I assume the creative team behind Welcome to Marwen operated with the best intentions. The 2018 film is adapted from Jeff Malmberg’s well-respected 2010 documentary, Marwencol, which centered on Mark Hogancamp and the therapeutic value he derived from developing a … Continue reading The Unwatchables — Welcome to Marwen
