From the Archive: Smart People

When I was reviewing films for a weekly radio show, I had to see practically everything that came through our modest little college town. In the few years after I had a diploma and no regular responsibilities for writing about the latest titles to grace the multiplex, I still saw nearly every major release that hit theaters. After that I was far more selectively, which sometimes leaves me wondering why I saw a particular film while it played in first-run theaters. I believe the outing that led directly into this review was because our household briefly — and occasionally to … Continue reading From the Archive: Smart People

Now Playing: It Comes at Night

I feel compelled to write about the audience I was in midst of when I saw the film It Comes at Night. The second feature from writer-director Trey Edward Shults, It Comes at Night is being positioned as a horror film for promotional purposes. That’s entirely fair. All the elements are in place, including a constantly mounting sense of dread, allusions to a devastating and unexplained phenomenon that has ravaged the populace, and a wary appraisal of the intrinsic darkness of desperate people. And yet the film is primarily notable for its colossal restraint more than its vivid shocks. In … Continue reading Now Playing: It Comes at Night

From the Archive: Grizzly Man

This originally appeared in my former online home. I was still getting back in the swing of writing movie reviews when this posted. The new film from sorta nuts German director Werner Herzog is a documentary about Timothy Treadwell, a failed actor who spent years in the Alaskan wilderness observing, bonding with, obsessing over and serving as self-proclaimed “protector” of a large group of grizzly bears. An inveterate ham, Treadwell documented his experience with a video camera, shooting hours of footage which Herzog merged with new interviews to give us a potent picture of a damaged individual who sought some … Continue reading From the Archive: Grizzly Man

The Art of the Sell: “Fargo” movie poster

These posts celebrate the movie trailers, movie posters, commercials, print ads, and other promotional material that stand as their own works of art.  By the middle of the nineteen-nineties, I was becoming dismayed with the state of movie posters. I have no empirical evidence to offer to prove my theory, but it truly seemed as if attempts at creativity and artfulness were dwindling. There was little evident willingness on the part of studios to bring memorable images to their promotional efforts. Instead, they wanted great big pictures of the movie stars with as little other information as possible. If they … Continue reading The Art of the Sell: “Fargo” movie poster

Now Playing: Wonder Woman

AT LAST, IN A WORLD TORN BY THE HATREDS AND WARS OF MEN, APPEARS A WOMAN TO WHOM THE PROBLEMS  AND FEATS OF MEN ARE MERE CHILD’S PLAY — A WOMAN WHOSE IDENTITY IS KNOWN TO NONE, BUT WHOSE SENSATIONAL FEATS ARE OUTSTANDING IN A FAST-MOVING WORLD! WITH A HUNDRED TIMES THE AGILITY AND STRENGTH OF OUR BEST MALE ATHLETES AND STRONGEST WRESTLERS, SHE APPEARS AS THOUGH FROM NOWHERE TO AVENGE AND INJUSTICE OR RIGHT A WRONG! AS LOVELY AS APHRODITE — AS WISE AS ATHENA — WITH THE SPEED OF MERCURY AND THE STRENGTH OF HERCULES — SHE IS … Continue reading Now Playing: Wonder Woman

From the Archive — In the Name of the King: A Dungeon Siege Tale and Jumper

As is usually the case with Bad Movie Night posts, I had a lot of fun writing this — it originally appeared at my former online home — but, being honest, the only true necessity on this page is the hyperlink found within the sentence “No amount of typing can describe it adequately.” Last night we found ourselves we a quick-witted guest, a hearty supply of good beer and a few spare hours. In our household, that’s an irresistible invitation to wallow in some choice cinematic ineptitude. After steeling ourselves with a dinner of lamb steaks, Guinness-battered onion rings, and … Continue reading From the Archive — In the Name of the King: A Dungeon Siege Tale and Jumper

Playing Catch-Up: Suicide Squad, Don’t Breathe, Rogue One

Suicide Squad (David Ayer, 2016). As we stand perilously on the cusp of Wonder Woman finally arriving on the big screen (which has, predictably, included the wailing of tiresome males who find excuses to decry everything that doesn’t cleave to the credo “Boyz R Da Greatesssssst!”), it’s perhaps worth remembering the DC has gotten very, very bad at making movies of their superhero properties. Suicide Squad — which is one of the most obscure character groupings that the entertainment goliath-wannabe has thus far repurposed for real live actors — is astonishing in its parade of hideous spectacle. It’s as if director David Ayer looked at … Continue reading Playing Catch-Up: Suicide Squad, Don’t Breathe, Rogue One

Now Playing — Alien: Covenant

In space, it is said, no one can hear you scream. While I watched Alien: Covenant, I started to wonder if it was possible to hear aggressive eye-rolling into the middle of a booming movie theater. The latest attempt to wring a few more dollars out of enduring nostalgia for the 1979 sci-fi/horror film — or, more likely, the inferior 1986 sci-fi/action sequel — returns Ridley Scott to the director’s chair, continuing the eradication of goodwill that he began with Prometheus. That prequel effort to the franchise Scott inadvertently launched a lifetime ago trafficked in pretentious, exploratory mumbo jumbo and disconnected … Continue reading Now Playing — Alien: Covenant

From the Archive: Wild at Heart

I know I saw Twin Peaks: Fire Walk with Me when it was released in the summer of 1992, but I don’t recall if I wrote a review of it. That task probably fell to my partner on the movie review radio show, leaving me to simply announce I hated it when it was my turn to pipe in. I was, however, charged with writing about Wild at Heart in the fall of 1990, early in our program’s run. It was a nerve-wracking assignment. I was still learning how to write reviews and here I had to grapple with one … Continue reading From the Archive: Wild at Heart

The Art of the Sell: “Psycho” trailer

These posts celebrate the movie trailers, movie posters, commercials, print ads, and other promotional material that stand as their own works of art.  There’s so much that’s marvelous about the original trailer for Alfred Hitchcock’s Psycho. The virtues begin with the auteur himself, genially leading the viewer through a tour of the film’s sets as if they are real places, all the while alluding to grave horrors that took place within them. And then there’s the pleasant music that accompanies Hitchcock’s ambling, like the soundtrack from Leave it to Beaver was misplaced there. And its six minutes — six minutes! … Continue reading The Art of the Sell: “Psycho” trailer