Category: Film

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From the Archive: Hot Fuzz

Dan Seeger

This is a short one (it was originally offered as part of a set of capsule reviews), but it represents the first time I wrote about an Edgar Wright movie. In part because of the hit-and-run nature of the review, I didn’t write about his direction much. Truthfully, it wasn’t until Wright’s next film that his visual acumen and storytelling ingenuity really started to dazzle me. While I will elaborate in a few days, I’ll promptly acknowledge that I’m revisiting this particular piece because Wright has just delivered what I’m confident will shake out as one of the best films of … Continue reading From the Archive: Hot Fuzz

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Playing Catch-Up: Privilege, Sully, Indignation

Dan Seeger

Privilege (Peter Watkins, 1967). This is exactly what I want a movie with a 1967 copyright date to be. The sole credited screenplay of novelist Norman Bogner, Privilege follows the story of Steven Shorter (played by Manfred Mann lead singer Paul Jones), a rock singer who is coopted by British authorities so they can insidiously control the upstart youth culture. Set in a near future, the film is groovy satire, just prescient enough to avoid being little more than an artifact of distant days when the counterculture seeped into cinema with sporadic success. Jones is a middling actor, but he … Continue reading Playing Catch-Up: Privilege, Sully, Indignation

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Bait Taken: The 10 Essential Roles of Michelle Pfeiffer

Dan Seeger

There are many building blocks of the internet, but the cornerstones are think pieces, offhand lists, and other hollow provocations meant to stir arguments and, therefore, briefly redirect web traffic. Engaging such material is utterly pointless. Then again, it’s not like I have anything better to do. It was only a week ago that I found cause to revive the “Bait Taken” feature, and now here I am, all roiled up over another Vulture list. In my meek defense, the creative team behind New York magazine’s culture blog went ahead and crafted a list that is right in my proverbial wheelhouse. And … Continue reading Bait Taken: The 10 Essential Roles of Michelle Pfeiffer

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From the Archive: Bay Day

Dan Seeger

Nine years ago today, I conducted an experiment in masochism. The particulars are explained well enough below, so I’ll not offer no additional retrospective preamble. Enjoy my pain. In the summer of 1998, my partner-in-all-things and I were vacationing in Colorado. As we’re prone to do, we took some of our spare time to go and see a movie. Since we were in the mood for something fun and light–a junk food movie, if you will–we ventured to a nearby theater and saw Armageddon, Michael Bay’s third feature and his follow-up to the flawed-but-mindlessly-entertaining The Rock. My old colleague in … Continue reading From the Archive: Bay Day

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Playing Catch-Up: The Hot Rock, Krisha, Tiger Shark

Dan Seeger

The Hot Rock (Peter Yates, 1972). This adaptation of a Donald Westlake novel — featuring a screenplay that was William Goldman’s first produced work following his Oscar win for Butch Cassidy and the Sundance Kid — is a lithe and cheeky heist film. Robert Redford plays John Dortmunder, a professional thief freshly released from his latest stay is prison. Mere minutes pass before he’s roped into a new scheme involving the theft of an African gem on display in the Brooklyn Museum. What follows is a series of setbacks — all smartly plausible — that require Dortmunder and his assembled … Continue reading Playing Catch-Up: The Hot Rock, Krisha, Tiger Shark

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Bait Taken: 5 of the Best Stephen King Adaptations Ever

Dan Seeger

There are many building blocks of the internet, but the cornerstones are think pieces, offhand lists, and other hollow provocations meant to stir arguments and, therefore, briefly redirect web traffic. Engaging such material is utterly pointless. Then again, it’s not like I have anything better to do. It almost seems unkind — or maybe foolish — to take umbrage with the vaguely defined list of Stephen King adaptations recently published at New York magazine’s Vulture site. For starters, it’s obvious advertorial nonsense, released in conjunction with Spike’s needy attempt at cashing in on the lucrative market for genre-driven television. There’s also a … Continue reading Bait Taken: 5 of the Best Stephen King Adaptations Ever

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From the Archive: Smart People

Dan Seeger

When I was reviewing films for a weekly radio show, I had to see practically everything that came through our modest little college town. In the few years after I had a diploma and no regular responsibilities for writing about the latest titles to grace the multiplex, I still saw nearly every major release that hit theaters. After that I was far more selectively, which sometimes leaves me wondering why I saw a particular film while it played in first-run theaters. I believe the outing that led directly into this review was because our household briefly — and occasionally to … Continue reading From the Archive: Smart People

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Now Playing: It Comes at Night

Dan Seeger

I feel compelled to write about the audience I was in midst of when I saw the film It Comes at Night. The second feature from writer-director Trey Edward Shults, It Comes at Night is being positioned as a horror film for promotional purposes. That’s entirely fair. All the elements are in place, including a constantly mounting sense of dread, allusions to a devastating and unexplained phenomenon that has ravaged the populace, and a wary appraisal of the intrinsic darkness of desperate people. And yet the film is primarily notable for its colossal restraint more than its vivid shocks. In … Continue reading Now Playing: It Comes at Night

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From the Archive: Grizzly Man

Dan Seeger

This originally appeared in my former online home. I was still getting back in the swing of writing movie reviews when this posted. The new film from sorta nuts German director Werner Herzog is a documentary about Timothy Treadwell, a failed actor who spent years in the Alaskan wilderness observing, bonding with, obsessing over and serving as self-proclaimed “protector” of a large group of grizzly bears. An inveterate ham, Treadwell documented his experience with a video camera, shooting hours of footage which Herzog merged with new interviews to give us a potent picture of a damaged individual who sought some … Continue reading From the Archive: Grizzly Man

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The Art of the Sell: “Fargo” movie poster

Dan Seeger

These posts celebrate the movie trailers, movie posters, commercials, print ads, and other promotional material that stand as their own works of art.  By the middle of the nineteen-nineties, I was becoming dismayed with the state of movie posters. I have no empirical evidence to offer to prove my theory, but it truly seemed as if attempts at creativity and artfulness were dwindling. There was little evident willingness on the part of studios to bring memorable images to their promotional efforts. Instead, they wanted great big pictures of the movie stars with as little other information as possible. If they … Continue reading The Art of the Sell: “Fargo” movie poster