One for Friday: The Plugz, “Achin”

Sometimes I have no recollection of how a track came into my digital possession. Much as I appreciate the wide open bounty of the interweb, especially when it comes to those old and new acts that I surely would have never discovered without it, I sometimes miss the bygone ability to always identify the rough moment of discovery, to conjure up the origin story of each personally held piece of music, as it were. The vastness of what I can access now is better. But I can still be a little wistful about portions of the experience that are chipped … Continue reading One for Friday: The Plugz, “Achin”

College Countdown: 90FM’s Top 90 of 1995, 2

2. Goo Goo Dolls, A Boy Named Goo There are a lot of albums on this particular countdown that sound intensely, almost painfully tied to their era. I tend to consider the different records that are so desperately trying to ape the Seattle sound as the most characteristic of the time. They contributed mightily to the numbing sameness of the commercial alternative stations that briefly flared up, including the one I worked at all through 1995. I think I may be a little off-base with that theory, though. Listening to it anew, I’m now convinced that A Boy Named Goo … Continue reading College Countdown: 90FM’s Top 90 of 1995, 2

One for Friday: The Mekons, “Only Darkness Has the Power”

Back when I was a bratty twentysomething going to scruffy concerts in Madison, Wisconsin, I would occasionally look around and my fellow attendees and wonder about the older folks who were amongst the crowd, holding their own plastic cup beers and bobbing their heads along to the beat. I was so certain that spending nights in ramshackle rock clubs was a young person’s game that these folks with graying temples and developing crow’s feet seemed out of place to me. I didn’t begrudge them their place on the floor, but that place on the trajectory of a life was distant … Continue reading One for Friday: The Mekons, “Only Darkness Has the Power”

Top 40 Smash Taps: “The Resurrection Shuffle”

These posts are about the songs that can accurately claim to crossed the key line of chart success, becoming Top 40 hits on Billboard, but just barely. Every song featured in this series peaked at number 40. Tony Ashton and Ron Dyke have the distinction of playing on the first solo album by a Beatle. Before the seminal band had officially broken up — or even finished releasing new music — George Harrison released the album Wonderwall Music, which was also notable as the first product from the Apple record label. The same year that record came out, the twosome … Continue reading Top 40 Smash Taps: “The Resurrection Shuffle”

One for Friday: Todd Rundgren, “The Want of a Nail”

When I got to my college radio station, in the late nineteen-eighties, I was anxious to start discovering artists who were entirely new to me. But I also appreciated the safety of those artists I’d heard repeated on the radio over and over again, even if it was with only one or two songs. Even more than that, I was somewhat proud that college radio could serve as a safe landing space for gifted performers who’d taken a spin with commercial success but were ultimately deemed too iconoclastic to become recurring residents on those parts of the dials. It matched … Continue reading One for Friday: Todd Rundgren, “The Want of a Nail”

College Countdown: 90FM’s Top 90 of 1995, 4

4. Radiohead, The Bends In 1995, Radiohead wasn’t yet Radiohead. Yes, it was absolutely comprised of the exact same five members who persist in the lineup to this day, and any cursory listen to their earliest albums indicates that they were already engaged in some of the same sonic explorations that would define them in years to come, although it was definitely in a nascent version. That noted, the band wasn’t yet burdened by the stultifying reputation for modern pop distilled down to high art that began a couple years later, with 1997’s excellent OK Computer, and proceeded with a … Continue reading College Countdown: 90FM’s Top 90 of 1995, 4

One for Friday: Dan Rousseau, “Good Morning Swannanoa”

A little more than eight years ago, I began working at a unique little college nestled in the Swannanoa Valley in Western North Carolina. Surrounded by mountains, equipped with a full working farm, and populated by students who came to the place knowing full well that their education was going to necessarily include fifteen hours each week devoted to keeping the operations of the college going, in every facet from office work to heavy-duty landscaping to cleaning floors and toilets. I’d come from an institution of higher learning with a fair number of enrollees who were just checking boxes in … Continue reading One for Friday: Dan Rousseau, “Good Morning Swannanoa”

Top 40 Smash Taps: “We’re Free”

These posts are about the songs that can accurately claim to crossed the key line of chart success, becoming Top 40 hits on Billboard, but just barely. Every song featured in this series peaked at number 40. Beverly Bremers began her music career early, appearing on television programs and recording her first singles when still a teenager. She experience only the mildest success until she found herself in the middle of a sensation, joining the cast of Hair during its original Broadway run. That led to other stage work, including a featured role in the Tony-nominated musical The Me Nobody … Continue reading Top 40 Smash Taps: “We’re Free”