One for Friday: Jet Black Berries, “Charles Darwin’s Dream”

Animal Necessity, the third album by the Rochester, New York band Jet Black Berries, is one of those releases I sought for ages. Even once the internet dramatically shifted the availability of obscure music, it was devilishly hard to come by. I wanted to hear it again because this was one of those touchstone LPs from my first semester at the college radio station, way back in the fall of 1988. As I remember it, the album sat in rotation amidst, only mildly loved by the general station populace. For whatever reason, it spoke to me more, and I returned to … Continue reading One for Friday: Jet Black Berries, “Charles Darwin’s Dream”

Top 40 Smash Taps: “Where You Lead” and “The Way He Makes Me Feel”

These posts are about the songs that can accurately claim to crossed the key line of chart success, becoming Top 40 hits on Billboard, but just barely. Every song featured in this series peaked at number 40. By my count, Barbra Streisand has amassed twenty-one Top 40 singles during the course of her career. To my surprise, her sustained success on that particular Billboard chart didn’t really begin until the nineteen-seventies. From her double-barreled debut in 1963 (The Barbra Streisand Album was followed by The Second Barbra Streisand Album within months), she always sold albums at a steady clip, making … Continue reading Top 40 Smash Taps: “Where You Lead” and “The Way He Makes Me Feel”

College Countdown: 90FM’s Top 90 of 1995, 22 and 21

#22 — Throwing Muses, University Throwing Muses took a complicated path to University, their sixth studio album. Though this was their second release without departed member Tanya Donelly, by then landing on the cover of Rolling Stone with her band Belly, most of the reviews remained preoccupied with her absence. This album also sat on the shelf for over a year, as Sire Records, eternally perplexed about how to turn this critically-acclaimed band into a commercial success, decided it would fare better if it arrived after the solo album lead singer and chief creative force Kristin Hersh recorded in close chronological proximity … Continue reading College Countdown: 90FM’s Top 90 of 1995, 22 and 21

One for Friday: Ranking Roger, “So Excited”

Sometimes I marvel at all the different ways my college radio station introduced me to new music. There are the obvious ones, of course: combing through the walls of records, chatting with fellow deejays about their more obscure favorites, just plainly listening to station as much as I could. There was another method that I’m confident is fairly prevalent at college radio station to this day. I learned about music from the posters on the wall. Our station was flooded with promotional materials from the various labels and distribution agencies and just about anything that could get tacked up on … Continue reading One for Friday: Ranking Roger, “So Excited”

College Countdown: 90FM’s Top 90 of 1995, 24 and 23

24. Everclear, Sparkle and Fade When I was at the height of my imperious, combative, disgruntled twenties, my contrarian streak could lead me to come dubious judgments, at least where new music was concerned. For example, while there’s some haziness around this memory (many of my most spirited music debates took place in the wee hours of beer-soaked evenings), I expended some of my taste capital announcing to whoever had the misfortune to be across the table that Everclear was one of the more underrated bands on the day and their 1995 release, Sparkle and Fade, deserved prominent mention in … Continue reading College Countdown: 90FM’s Top 90 of 1995, 24 and 23

One for Friday: Ednaswap, “Torn”

By the summer of 1998, the song “Torn” was practically unavoidable. I used to join a friend on an annual summertime jaunt intended to hit as many Major League ballparks as we could over a long weekend. While we always made sure the vehicle was stocked with plenty of mix tapes (competitively so), part of the ritual was scanning through local radio, including carefully cataloging which songs we heard the most. On that trip, “Torn” was the clear winner (though, to be fair, we likely zipped right past “The Boy is Mine,” which topped the Billboard charts for essentially the … Continue reading One for Friday: Ednaswap, “Torn”

The New Releases Shelf: Pageant Material

Best as I can determine, the only significant flaw of Pageant Material, the new album from Kacey Musgraves, is that it seems to inspire a unstoppable fleet of music writer think pieces, the sort of essays that helplessly consider music only in the context of some imagined greater trend. It can’t simply be that her second album for Mercury Nashville is a splendid example of songcraft, warmly and wittily performed. It somehow has to provide entry to commentary of the very nature of modern country music, usually delivered with withering condescension by music writers who’ve probably not listened to more … Continue reading The New Releases Shelf: Pageant Material

Top 40 Smash Taps: “Sweet Maxine”

These posts are about the songs that can accurately claim to crossed the key line of chart success, becoming Top 40 hits on Billboard, but just barely. Every song featured in this series peaked at number 40. “Sweet Maxine” is a song by the Doobie Brothers. Released as the second single from their 1975 album, Stampede, it brought them their eighth trip to the Billboard Top 40, although just barely. Across their career, they’d make it into the Top 40 a total of sixteen times, including two instances when they topped the chart. Not knowing anything about this particular song … Continue reading Top 40 Smash Taps: “Sweet Maxine”

College Countdown: 90FM’s Top 90 of 1995, 27 – 25

27. Smoking Popes, Born to Quit Smoking Popes hailed from the ‘burbs of Chicago and played exactly the sort of brash, punk-punched pop music that was necessary to get noticed in that noisy, busy city. Born to Quit was the band’s sophomore album, released initially on the local ultra-indie Johann’s Face Records before being picked up and reissued by Capitol Records, effectively making it their major label debut (though it would be entirely reasonable to affix that descriptor to their follow-up, 1997’s Destination Failure, which was actually recorded for Capitol and lived down to its title as it was a … Continue reading College Countdown: 90FM’s Top 90 of 1995, 27 – 25

One for Friday: Sam Phillips, “Tripping Over Gravity”

I’m fairly certain I found my way to Sam Phillips through Rolling Stone magazine. As I’ve noted before, I was a devoted disciple on the magazine through my high school years, doing the best I could to glean from it what I needed to know about the vast land of rock ‘n’ roll that my local radio stations weren’t providing. That got me trapped in the magazine’s wearying predilections (Neil Young is an important artist, but not every damn album in a masterpiece), but I occasionally had just enough of an instinct to remember the albums that were offered effusive if … Continue reading One for Friday: Sam Phillips, “Tripping Over Gravity”