From the Archive: Rooney

This is another music review I wrote for The Independent Journal. I think it appeared in the same issue in which I trashed a Liz Phair record.  As the garage rock pile-on continues unabated, it’s good to be reminded that buffing muscular guitar riffs into something glossy and bright isn’t such a bad idea every now and again. The latest evidence is the self-titled debut from Rooney, fronted by Robert Carmine, younger brother of Phantom Planet drummer (and Max Fischer portrayer) Jason Schwartzman. This is the sort of album that starts with a lone guitar, ends with a lush, achy … Continue reading From the Archive: Rooney

One for Friday: Elvis Costello, “45”

Elvis Costello wrote the song “45” on the day he could officially and honestly claim that number as his age. After debuting it in a 1999 appearance on The Tonight Show, he recorded it and released it as a track on his 2002 album When I Was Cruel. That album arrived towards the end of my first year back in college radio, now serving as an advisor rather than a student programmer. I was just into my early thirties at the time, and that age — 45 — still seemed so distant, almost unthinkably far into the future. Not any more, … Continue reading One for Friday: Elvis Costello, “45”

Top 40 Smash Taps: “Angel”

These posts are about the songs that can accurately claim to crossed the key line of chart success, becoming Top 40 hits on Billboard, but just barely. Every song featured in this series peaked at number 40. There are at least three waves to Rod Stewart’s solo career: the early years, when he was still an amazing belter with spotty but acceptable taste in material; the middle years, when he was desperately singing any schlocky song he (or his people) thought might become a hit; and the later years, when he lazily crooned standards, knowing that a cushy, lucrative spot … Continue reading Top 40 Smash Taps: “Angel”

College Countdown: 90FM’s Top 90 of 1995, 44-42

44. Elastica, Elastica I owe the 1995 on-air lineup of 90FM an apology. Down around #67 on our chart, I groused that the self-titled debut of Elastica didn’t show up anywhere on this list. Turns out my research methods were highly faulty, because the post-punk sensation out of London is right here, very respectably taking up territory right around the midpoint of the year-end tally. If the attention heaped on Elastica almost makes this placement seem modest, they were also one of those bands that endured one of those rapid-fire turn-arounds from hyped adoration to snippy backlash. Part of what … Continue reading College Countdown: 90FM’s Top 90 of 1995, 44-42

One for Friday: Ed Haynes, “I Want to Kill Everybody”

I’ve written about Ed Haynes’s debut album, Ed Haynes Sings Ed Haynes, in this space previously, bit it’s been a while. In my recollection, this was one of those albums that arrived during the late winter/early spring of 1989, a blessed time that I’ve only partially elevated in grandeur because it coincided with my first semester in a leadership role at my college radio station. Though Haynes had mighty competition in our new music rotation, this album was one that I and my fellow deejays returned to repeatedly, the comic-tinged, upbeat folk songs provided a nice little breather in the … Continue reading One for Friday: Ed Haynes, “I Want to Kill Everybody”

Top 40 Smash Taps: “In the Mood”

These posts are about the songs that can accurately claim to crossed the key line of chart success, becoming Top 40 hits on Billboard, but just barely. Every song featured in this series peaked at number 40. Thanks to K-tel comedy music collections that would probably strike me as a form of torture if I tried to sit through one of them now, I probably knew Ray Stevens before just about any other artist included in this series. His various Top 40 hits from the nineteen-sixties and nineteen-seventies took up a lot of the vinyl on those compilations that I obsessively … Continue reading Top 40 Smash Taps: “In the Mood”

College Countdown: 90FM’s Top 90 of 1995, 46 and 45

46. Wax, 13 Unlucky Numbers While the nineteen-eighties was surely the peak of influence for music videos, the nineteen-nineties, at least the early to middle part of that decade-long span, represents the stretch of time when the directors behind those promotional efforts had their collective heyday. I don’t remember anyone really talking about the filmmakers behind the seminal videos of MTV’s first years, but director Spike Jonze was as famous — or maybe even more famous at times — as the artists for whom he helped craft music videos. Yes, the Los Angeles punk band Wax had just enough credibility that … Continue reading College Countdown: 90FM’s Top 90 of 1995, 46 and 45

One for Friday: Pipettes, “Pull Shapes” (Live on NPR)

Sometimes you just fall in love with a band. I don’t mean a band comes along and are so great that they are immediately elevated to the level of favorite. I mean genuine, unexplainable head over heels affection that is roughly akin to that first swelling of puppy love when that cute guy or girl made eye contact across the crowded middle school classroom. It’s not love that’s meaningful or long-lasting, nor is grounded in a instinctual need for lifelong commitment. But it also helps define every similar swelling of the heart that follows. From the moment I first heard … Continue reading One for Friday: Pipettes, “Pull Shapes” (Live on NPR)

Top 40 Smash Taps: “Me (Without You)”

These posts are about the songs that can accurately claim to crossed the key line of chart success, becoming Top 40 hits on Billboard, but just barely. Every song featured in this series peaked at number 40. For a brief, noteworthy cultural moment in the nineteen-seventies, Andy Gibb was about as big a music artist could get. The youngest sibling of the furry Gibb clan, Andy was so committed to following in his brothers’ footsteps that one of his first bands was named after a Bee Gees song. He was eventually signed as a solo artist to RSO Records, the … Continue reading Top 40 Smash Taps: “Me (Without You)”

College Countdown: 90FM’s Top 90 of 1995, 48 and 47

48. Push, Shamefaced Like a lot of college radio stations, 90FM proclaimed a strong dedication to local music. In the case of our station, we expanded “local” to mean anything that originated, even initially, in the state of Wisconsin. By the time I arrived there in the late nineteen-eighties, no one was really thinking of Violent Femmes as a Milwaukee band, for example, but that’s where they started, so that was good enough for us. There was one band that showed up in the mid-nineties that was not only from our town of Stevens Point, they were populated by, on … Continue reading College Countdown: 90FM’s Top 90 of 1995, 48 and 47