Top 40 Smash Taps: “Can’t Leave ‘Em Alone”

These posts are about the songs that can accurately claim to crossed the key line of chart success, becoming Top 40 hits on Billboard, but just barely. Every song featured in this series peaked at number 40. The duly appointed First Lady of Crunk&B, Ciara scored a chart-topper with her very first solo single, “Goodies,” released in 2004. She then managed the runner-up slot with her next two releases, collaborations with Missy Elliott and Ludacris. All in all, not a bad way for an artist to establish herself right out of the gate. While she hasn’t quite reached those heights … Continue reading Top 40 Smash Taps: “Can’t Leave ‘Em Alone”

One for Friday: Guadalcanal Diary, “Litany (Life Goes On)”

There are those songs that are immediately rejuvenating. I suspect we all have them, those tracks that are perhaps somewhat designed to have that effect (uplifting lyrics, soaring melodies, music that builds and builds), but, more importantly, hold with them some beneficial added history. They were there at exactly the right time, the message, the sound, and everything hitting in the right way, like tumblers in a lock falling into proper place. Maybe the sweet spot was hit even more cleanly because the accumulated history of prior listens had finally accumulated to the point that the song shifted from casual … Continue reading One for Friday: Guadalcanal Diary, “Litany (Life Goes On)”

Top 40 Smash Taps: “Ask Me No Questions”

These posts are about the songs that can accurately claim to crossed the key line of chart success, becoming Top 40 hits on Billboard, but just barely. Every song featured in this series peaked at number 40. B.B. King is an undisputed legend of the blues, using a guitar dubbed Lucille (usually, but not always, a black Gibson) to plow through powerhouse songs, many of which he himself established as standards of the genre. Despite all that, he only had modest crossover chart success. From the string of singles that began with “Miss Martha King,” released in 1949, and ended … Continue reading Top 40 Smash Taps: “Ask Me No Questions”

One for Friday: Billy Bragg, “The Marching Song of the Covert Battalions”

  On this day, when crass consumerism reigns supreme, I woke up with a Billy Bragg song galloping through my head. So even as I watched the morning news programs, wherein all the more important, more meaningful, more troubling developments of the day were pushed to deep on the segment list in favor of grotesquely chipper reports on which sales were generating the most aggressive enthusiasm among desperate holidays shoppers, my mental accompaniment involved a distinct Essex accent delivering the battle cry “We’re making the world safe for capitalism!” Bragg was one of the artists I clung to most gratefully … Continue reading One for Friday: Billy Bragg, “The Marching Song of the Covert Battalions”

College Countdown: Rockpool’s Top 20 College Radio Albums, November 1988, 6

  6. Fishbone, Truth and Soul Fishbone decided to open Truth and Soul, their second full-length release, with a track that signaled a clear understanding of their forebears. Their ferocious take on Curtis Mayfield’s “Freddie’s Dead” is a clarion call to the rock ‘n’ roll faithful. Fishbone is going to do right by the mélange of genres in which they traffic. “Freddie’s Dead” is steeped in funk authority, but it also blasts forward like a headlong hard rock anthem. Their earlier releases sometimes got Fishbone pigeonholed as an empty party band, maybe in part because it was all too easy … Continue reading College Countdown: Rockpool’s Top 20 College Radio Albums, November 1988, 6