From the Archive: Man on the Burning Tightrope

This review is taken from the same issue of The Independent as the review of the Mars Volta record from a few weeks back. I went ahead and loaded it up for this feature knowing that the title of the record was nicely well-suited for the way I’d feel as the closing of one of my most demanding work-weeks of the year was coming to an end. Led by former Cop Shoot Chop bassist Tod A., Firewater made a pebble-sized splash with their last effort, 2001’s Psychopharmacology. Much of this follow-up sounds as if they took the Tom Waits drunken … Continue reading From the Archive: Man on the Burning Tightrope

One for Friday: Graham Parker, “Don’t Let It Break You Down”

Sometimes in those especially busy work weeks, all I want (or maybe need) when we get to our fine One for Friday post is a bit of affirmation, a spirited kick to the soul and an assurance that the heavy lifting that remains will be accomplished with aplomb. Naturally, I prefer my affirmations to be a little more scabrous and cynical. For positivity and endurance framed that way, I can do no better than Mr. Graham Parker. Truthfully, anything I feel compelled to share about him and my gradual discovery of his music has already been shared in this space. … Continue reading One for Friday: Graham Parker, “Don’t Let It Break You Down”

Top 40 Smash Taps: “The End of Our Road”

These posts are about the songs that can accurately claim to crossed the key line of chart success, becoming Top 40 hits on Billboard, but just barely. Every song featured in this series peaked at number 40. As I write this, I’m too tired to count high, so I’m going to rely on the ever-shaky Wikipedia to provide some information. According to the crowd-edited website, Marvin Gaye reached the Billboard Top 40 a total of forty-one times, including three songs that topped the charts. Of those many hits, one of them qualifies for this series, just barely scratching into the … Continue reading Top 40 Smash Taps: “The End of Our Road”

One for Friday: Aretha Franklin, “A Rose is Still a Rose”

I suppose by now Lauryn Hill’s status in the exalted realm of pop stardom has been reduced to the almost entirely negligible, at kindest a cautionary tale and at meanest a punchline. Back in the mid- to late-nineteen-nineties, though, she was widely considered to be the next great music artist, the one destined to crank out classic after classic following her beloved solo debut, The Miseducation of Lauryn Hill. She was treated as some sort of creative revolutionary, reclaiming the nearly lost sounds of old school soul and delivering a finished product with a powerful replacement engine, assembled from the … Continue reading One for Friday: Aretha Franklin, “A Rose is Still a Rose”

One for Friday: Material Issue, “What If I Killed Your Boyfriend?”

I spent this past weekend being continually reminded of my age, in ways that were both good and knee-weakening. Among many other indicators, there was the presence of songs that were once as contemporary as can be to me (and still maintain that freshness, at least in my head, heart, and soul) that have been transformed by the relentless shedding of calendar pages into bonafide oldies. Then there were the moments when a certain song could stir other thoughts that, when they reached their logical endpoints, were a little devastating. For example, the appearance of a Material Issue song certainly … Continue reading One for Friday: Material Issue, “What If I Killed Your Boyfriend?”

One for Friday: Mollie Donihe, “Come On Eileen (Cover)”

Today is the day that this year’s edition of the World’s Largest Trivia Contest gets underway, celebrating it’s forty-fifth year. The team I play on, which has achieved its own modest level of notoriety will be enjoying an anniversary of its own, playing for the twenty-fifth time, a two-and-a-half decade span that I have a difficult time wrapping my head around. In that stretch, we’ve built up a lot of team lore, involving paddles and coconut heads and little alien puppets. It’s very possible that my favorite part of our team’s extensive iconography is the song “Come On Eileen,” the … Continue reading One for Friday: Mollie Donihe, “Come On Eileen (Cover)”