The New Releases Shelf: Turn Blue

(Picture) The backlash, it seems, is officially underway. While plenty of the more venerable publications have predictably lined up with dutiful raves, befitting the Akron duo’s new status as the last great hope of rock ‘n’ roll in a Miley Cyrus pop flare universe, there have also been equally expected kneejerk naysaying, led by a scalding from Pitchfork severe enough to prompt drummer Patrick Carney to sarcastically reference it during an appearance on The Colbert Report. The truth between these markedly different reactions, as it so often does, lies somewhere in between. Turn Blue is unmistakably a Black Keys record. … Continue reading The New Releases Shelf: Turn Blue

College Countdown, The First CMJ Album Chart, 12

12. Sea Level, On the Edge The Allman Brothers Band was one of those groups that felt like they were fractiously apart more than they were together, practicing a brand of precarious camaraderie befitting their familial nature. When the band experienced their first formal break-up in the mid-nineteeen-seventies, several members were already poised to do their own thing. Sea Level was a clear, supported offshoot of the Allman Brothers Band, opening shows for the southern rock icons in 1975 and 1976. In the latter year, it became the main thing going as the tension between Gregg Allman and his bandmates … Continue reading College Countdown, The First CMJ Album Chart, 12

One for Friday: Marshall Crenshaw, “You’re My Favorite Waste of Time”

It always seemed that Marshall Crenshaw was genetically engineered to be a cult hero. Even though his very first single, the utterly wonderful “Someday, Someway,” made it into the Billboard Top 40, it was hardly a thunderous success, peaking at #36. That seems simultaneously appropriate and a little tragic. Crenshaw created songs that were made for the radio, albeit maybe a different era than the one he was in. This was the early nineteen-eighties, when new wave was ascendent, punk was morphing from broad-ranging alternative to almost myopic jackhammer anger, and electronic was still trying to find its footing in … Continue reading One for Friday: Marshall Crenshaw, “You’re My Favorite Waste of Time”

One for Friday: Ted Leo and the Pharmacists, “Where Have All the Rude Boys Gone?”

When I was a college radio kid, heading off to New York City for the annual CMJ Music Marathon was a pure pipe dream. We simply didn’t have the sort of money for that sort of thing, and our different advisors and on-campus advocates decided, probably accurately, that it was a bit of a boondoggle, not worth fighting for. When dryer, more professionally respectable student-oriented broadcasting conferences cropped up more regionally conducive locations, they made university funding available to us. Again, they were probably correct to do so. Considering the sort of shenanigans we got up to in our posh … Continue reading One for Friday: Ted Leo and the Pharmacists, “Where Have All the Rude Boys Gone?”

Top 40 Smash Taps: “Ticks” and “Letter to Me”

These posts are about the songs that can accurately claim to crossed the key line of chart success, becoming Top 40 hits on Billboard, but just barely. Every song featured in this series peaked at number 40. Brad Paisley absolutely owned the country charts in the aughts. After nabbing his first country #1 (and Billboard Top 40 hit) in 1999, with “He Didn’t Have to Be,” Paisley had an even more prodigious stretch in the following decade, including ten straight chart-toppers at one point, which was then a record. (Shameless country huckster bested that feat just this year.) Maybe even … Continue reading Top 40 Smash Taps: “Ticks” and “Letter to Me”

From the Archive: Man on the Burning Tightrope

This review is taken from the same issue of The Independent as the review of the Mars Volta record from a few weeks back. I went ahead and loaded it up for this feature knowing that the title of the record was nicely well-suited for the way I’d feel as the closing of one of my most demanding work-weeks of the year was coming to an end. Led by former Cop Shoot Chop bassist Tod A., Firewater made a pebble-sized splash with their last effort, 2001’s Psychopharmacology. Much of this follow-up sounds as if they took the Tom Waits drunken … Continue reading From the Archive: Man on the Burning Tightrope