From the Archive: De-Loused in the Comatorium

Since I evoked my Mojo phase in yesterday’s post, it seems only appropriate that today’s sheepish looks back towards old writing should present my most overt attempt at writing in that British publication’s style. Taken from my brief, happy tenure with Central Florida’s The Independent Journal, this review covers a unlikely blast of 21st century prog rock that–in a turn even more unlikely–I liked a great deal. It also inspired me to give it my best Mojo review section try, particularly when it came time to pile up quasi-arcane references. I remember being very happy with the results. And I … Continue reading From the Archive: De-Loused in the Comatorium

One for Friday: Earth Opera, “The Red Sox are Winning”

Thought I can’t necessarily parcel my personal journey as a music fan into clear, clean divisions, I have had a few distinct phases, stretches when the material I sought out was actively influence by one source or another, be it individuals or, in a couple of case, entire radio station music libraries. And then there are the periodicals, led by the foundational and sometimes regrettable impact of Rolling Stone on my taste. I hold far greater fondness for a later period of time I think of, as I must, as “The Mojo years.” I started buying the U.K. magazine after … Continue reading One for Friday: Earth Opera, “The Red Sox are Winning”

One for Friday: Fountains of Wayne, “Utopia Parkway”

I’d like to say that I grabbed a hold of Fountains of Wayne after seeing That Thing You Do!, but that’s not quite accurate. Fountains of Wayne songwriter Adam Schlesinger penned the title cut to Tom Hanks’s directorial debut, miraculously creating an instantly catchy number that never overstayed its welcome despite being circled back to repeatedly in the film (and then there are those of us who’ve watched the film countless times and still never gotten sick of it). That introduction should have reasonably been enough to convince me that this was an artist made for me, particular since his … Continue reading One for Friday: Fountains of Wayne, “Utopia Parkway”

College Countdown, The First CMJ Album Chart, 20

20. Joe Cocker, Luxury You Can Afford In the late nineteen-seventies, Joe Cocker was going through one of those rocky stretches that were the accepted territory of raspy-voiced rock ‘n’ roll singers. He spent a decent portion of the decade bouncing around different managers and cultivating a reputation as a self-destructive alcoholic with an occasional penchant for vomiting mid-set onstage. In 1978, he was further trying to rebound by some significant commercial disappointment, and he had to prove himself to a new label. Luxury You Can Afford was his first for Asylum Records, after a long stretch with A&M Records. … Continue reading College Countdown, The First CMJ Album Chart, 20

One for Friday: Lyle Lovett, “Step Inside This House”

I have enough invested in the idea of perfect artistic finality that occasionally I can drift into the mental parlor game of selecting the best last album for an individual artist. This doesn’t necessarily mean identifying their very best work under the theory that everyone should go out at their absolute peak. Instead, it’s about finding those releases that feel just right as a sort of summation, a proper closing statement of artistic identity and intent. To shift the topic to movies for a useful illustration, Robert Altman probably made at least a dozen movies that I consider plainly better … Continue reading One for Friday: Lyle Lovett, “Step Inside This House”

Top 40 Smash Taps: “Livin’ in the Life”

These posts are about the songs that can accurately claim to crossed the key line of chart success, becoming Top 40 hits on Billboard, but just barely. Every song featured in this series peaked at number 40. As 1977 began, the Isley Brothers could claim a total of nine Top 40 hits across their fifteen years as a charting artist, beginning with the seminal “Shout,” which reached the Top 20 in 1962, and climbing all the way to #4 as recently as two years earlier, with “Fight the Power (Part 1).” That year, the line-up consisted of actual siblings Ernie, … Continue reading Top 40 Smash Taps: “Livin’ in the Life”

One for Friday: Robyn Hitchcock, “One Long Pair of Eyes (Live at Cat’s Cradle Back Room)”

Like a lot of college radio kids, I was a fairly dedicated concertgoer for a time. I wasn’t one of those who jumped at nearly every opportunity, nor was I especially adventurous, hitting the clubs to hear bands I wasn’t all that familiar with (I will regret to the end of my days that I didn’t see Sleater-Kinney with the White Stripes opening up at a dinky club in Madison way back when). But I had a respectable number of torn tickets shoved into CD cases and record sleeves. That’s waned enough in the past several years that the first … Continue reading One for Friday: Robyn Hitchcock, “One Long Pair of Eyes (Live at Cat’s Cradle Back Room)”