Spectrum Check

I wasn’t too busy for Spectrum Culture this week, and, atypically, all my writing had to do with music. The one longer piece I wrote was a review of the new Patti Smith album. It felt quite glum about giving the record a middling assessment, but it did sadly strike me as one of the weakest original efforts since she reemerged with the wondrous Gone Again back in 1996. I also contributed to our regular List Inconsequential feature, selecting the Pipettes for my “One Album Wonder,” in part because I’ll take any opportunity I’m given to revisit the song “Pull … Continue reading Spectrum Check

One for Friday: Hoodoo Gurus, “1000 Miles Away”

In last week’s One for Friday, I expended quite a few words writing about a friend from my college radio days when I served as an advisor to the students who were running the station. In writing about the way I associate certain songs with certain people, I made an offhand mention of how thoroughly and pervasively that was the case back when I myself was a student, working away at our little broadcast outlet in the heart of central Wisconsin. In the comments, one of my old cohorts challenged me to name some of those songs that were locked … Continue reading One for Friday: Hoodoo Gurus, “1000 Miles Away”

College Countdown: CMJ Top 50 Albums of 2001, 30 and 29

30. Rocket from the Crypt, Group Sounds Given that the main context I’ve brought to these College Countdown posts on CMJ‘s 2001 year-end has been one grounded in my own relationship with the individual artists–either of discovery, familiarity or pure puzzlement–there’s an interesting bit of symmetry to the two bands paired this week. Both were groups with a strong punk influence, and I had previously purchased and loved earlier efforts from both of them during the span of time between my commercial radio tenure and my return to college radio, when I was toiling (and somewhat floundering) in an effort … Continue reading College Countdown: CMJ Top 50 Albums of 2001, 30 and 29

Spectrum Check

I had a fairly busy week with Spectrum Culture. Because of the shifting vagaries of release schedules, I wound up with the rare instance of two new film reviews in one week. First off was my take on a gloomy extra-natural drama about a musician who starts hearing a low tone that no one else can, and the ways in which it drives him crazy (thanks in no small part to a conspiracy-minded brother-in-law). This is the sort of film I always feel a little bad beating up on. It’s so clearly a labor of love for the chief creators … Continue reading Spectrum Check

One for Friday: Figurine, “Let’s Make Our Love Song”

One thing I learned fairly early on in my college radio career is that there’s ultimately too much new music coming out to keep up with it all on your own. That was the case in the late eighties and early nineties, before the grunge-led boom in “alternative music” occurred in rough symmetry with greater affordability for more DIY-inclined bands to produce and distribute their own material. When I later started my second, slightly different life on the left end of the dial, the number of new CDs that flooded into the station each and every week, often from largely … Continue reading One for Friday: Figurine, “Let’s Make Our Love Song”

One for Friday: Mental As Anything, “If You Leave Me, Can I Come Too?”

I wish I were better at coming up with titles. There’s few things more satisfying than a great title for an album, a movie or a book, something that immediately grabs attention and is smart and memorable enough that it engenders goodwill right off the bat. There’s some added pressure with a song, of course, because the hope and expectation is that the cleverness of the title will fully and cleanly carry over to the track, especially if the title is actually used in the song. It’s easy enough to pile up an assemblage of clever words if they don’t … Continue reading One for Friday: Mental As Anything, “If You Leave Me, Can I Come Too?”

Top 40 Smash Taps: “Crazy Eyes for You”

These posts are about the songs that can accurately claim to crossed the key line of chart success, becoming Top 40 hits on Billboard, but just barely. Every song featured in this series peaked at number 40. Apt Records was started in the late nineteen-fifties as a subsidiary of ABC-Paramount, which itself is widely considered to be the first major label to be formed after the rock ‘n’ roll era truly got underway. Whether by design of happenstance, Apt Records stuck solely with singles, apparently releasing not one one full-length album during its eight years of existence. In that span, … Continue reading Top 40 Smash Taps: “Crazy Eyes for You”

College Countdown: CMJ Top 50 Albums of 2001, 34 and 33

34. Mogwai, Rock Action The Scottish band Mogwai is named after the critters in Joe Dante’s 1984 dark comedy Gremlins. It was intended to be a temporary name, but the band never switched it and it eventually took hold. Certainly, they were locked into it by the time their third album, Rock Action, was released. Mogwai had a reputation for ethereal, meditative music, largely delivered as instrumentals, although Rock Action featured guest vocals by the likes of Gruff Rhys of Super Furry Animals (singing in Welsh, no less) and David Pajo of Slint. Further demonstrating their fascination with bygone pop … Continue reading College Countdown: CMJ Top 50 Albums of 2001, 34 and 33

One for Friday: The Replacements, “Beer for Breakfast”

Admittedly, I’ve sort of got beer on the brain these days, something that’s hard to avoid in my neck of the nation. But I swear there are other things my mind wanders to during the day. Like fabulously messy songs about drinking beer at unlikely hours of the day. While I’m anticipated that our household will drink more than its fair share of beer over the course of the next several days, I don’t think we’ll be resorting to beer for breakfast anytime soon, even though we have a couple remaining bottles of an especially suitable choice for that activity … Continue reading One for Friday: The Replacements, “Beer for Breakfast”