Spectrum Check

I had a more reasonable week at Spectrum Culture, contributing just a couple things and only one full-length review. The latter was for the film Miss Bala, which I’ve been anxious to see since it drew rave reviews at Cannes. In general, I’ve been trying to keep a closer eye on various festival reviews so I can snap up the more obscure potentially strong offerings after they’ve gone through the arduous circuit. That’s starting to pay dividends and Gerardo Naranjo’s incisive film was one of the first prizes of that effort. I also contributed to our weekly List Inconsequential feature, … Continue reading Spectrum Check

One for Friday: Hothouse Flowers, “Feet on the Ground”

Though I sought out the college radio and the music it was dispensing because I longed for material that was edgier, bracingly different, wholly challenging, I’ll admit that I had an enduring weakness for the bands that surely belonged there but plied their trade with more of a reliance on dependable forms. It was the fall of 1988 when I arrived and there were plenty of artists that were leaning on the tried-and-true in their songwriting and playing, probably of a few key predecessors that had cracked the marketplace with some yearning Americana. Placed against the cheap, slick hair metal … Continue reading One for Friday: Hothouse Flowers, “Feet on the Ground”

College Countdown: First Billboard Top 20 Modern Rock Tracks, Fall 1988, 16 and 15

16. “Dumb Things” by Paul Kelly & the Messengers Paul Kelly had been plying his trade for several years in Australia before he got a chance to take a crack at American audiences. He started performing in the mid-seventies and release the first album with his original backing band the Dots in 1981. He had greater success in his homeland when he assembled a new group to play with him. Called the Coloured Girls, after those that go “Doo doo doo doo doo-doo” in a certain Lou Reed song, they caused a little snag when A&M records came calling with … Continue reading College Countdown: First Billboard Top 20 Modern Rock Tracks, Fall 1988, 16 and 15

Spectrum Check

I knew was a little extra stressed out this week for a reason. It just occurred to me, as I prepared this post, that I actually wrote a lot for Spectrum Culture this week. I’ll start on the movie side, where I claimed responsibility for reviewing the directorial debut of Vincent D’Onofrio. This was in part because he’s enough of an oddball that I was very curious as to what he’d do behind the camera. I also have a marital obligation to acquire a horror movie for review from time to time and this one had the added curiosity of … Continue reading Spectrum Check

One for Friday: Dreams So Real, “Rough Night in Jericho”

There were a lot of Dream bands in the nineteen-eighties. By that, I don’t mean dream pop, although I suppose that’s true too. I’m referring to bands that actually used the word in their names. Perusing the D section of the music library of any respectable college radio station would turn up the Dream Syndicate and Dream Academy (and by the early nineties, the Dream Warriors). A little more concerted digging yielded Eleventh Dream Day. The really well-stocked stations might have even had a record or two from the Revolving Paint Dream. With all this, it’s no wonder there was … Continue reading One for Friday: Dreams So Real, “Rough Night in Jericho”

Spectrum Check

Spectrum Culture was back in full wing this week, which meant that my words were all over the place as well. I was especially busy on the movie review front. First I weighed in on a highly problematic drama built around grief and guilt and contrived tension. We’re in that weird stasis zone in between the end of year Oscar fodder (much of which I can’t get screeners of because they’re being highly protective of pirating, even though they send them out as freely as Bed Bath and Beyond coupons to major critics and guild members) and the launch of … Continue reading Spectrum Check

One for Friday: The Ocean Blue, “Between Something and Nothing”

Back when I was playing their debut album off of the new releases shelf, I wonder if I knew that the band the Ocean Blue was from Hershey, Pennsylvania. As I’ve mentioned before in my best aggrieved tone of walked-to-school-in-three-feet-of-snow-uphill-both-ways of self-satisfied lamentation, we didn’t have ready access to Wikipedia pages and other online resources for the bands we played. There were all sorts of routes we did have for accumulating information, from magazine articles to the finer print of an album’s liner notes, but enough of the bands we played were obscure enough that missing (or not taking notice … Continue reading One for Friday: The Ocean Blue, “Between Something and Nothing”

Top 40 Smash Taps: “Love Me Tender”

These posts are about the songs that can accurately claim to crossed the key line of chart success, becoming Top 40 hits on Billboard, but just barely. Every song featured in this series peaked at number 40. Percy Sledge had as strong of a start as any new recording artist could hope for. He was working in an Alabama hospital while touring with a music group on the weekends in the mid-nineteen-sixties when a friend introduced him to DJ-turned-producer Quin Ivy, who helped get him signed to a recording contract. The very first product of that, issued on Atlantic Records … Continue reading Top 40 Smash Taps: “Love Me Tender”

College Countdown: First Billboard Top 20 Modern Rock Tracks, Fall 1988, 20 and 19

20. “All I Wanted” by In Tua Nua I have only the vaguest recollections of this song being played at my college radio station in the fall of 1988, and believe me when I maintain that an awful lot of my recreational time that fall was spent with a fellow who would have been especially partial to a band led by a pretty Irish singer. The song is certainly lodged deep in my brain, though, so it was probably getting some spins from us back then. Even at the time, In Tua Nua was probably best known for their tangential … Continue reading College Countdown: First Billboard Top 20 Modern Rock Tracks, Fall 1988, 20 and 19

Spectrum Check

After a customary end-of-the-year rest, the Spectrum Culture site returned with a spiffy new redesign this week. It was fairly low-content for the first week back, so my contributions were limited to pitching in on a couple of lists. First, I wrote on the latest Black Keys albums for our collection of the “honorable mentions” when it came to the best albums of last year. Besides that, the site has an annual tradition–in keeping with the features built around assessing older albums and films with fresh eyes–of kicking off the new year by looking back to the best pop culture … Continue reading Spectrum Check