College Countdown: Winter 1991, 35-31

Earlier this week I dug out an old CMJ chart and started the process of recreating the Sunday nights of my first year at the University of Wisconsin – Stevens Point when I and my more enlightened dorm-mates would gather around the radio to listen to our station, 90FM-WWSP, to find out the most played tracks on college radio nationwide. And now, as they say, on with the countdown… 35. Marc Almond, “Jacky” Marc Almond started his career as one half of the influential New Wave duo Soft Cell. This song came from Tenement Symphony, still his highest-charting album back … Continue reading College Countdown: Winter 1991, 35-31

Top Fifty Films of the 90s — Number Twenty-Five

#25 — Ed Wood (Tim Burton, 1994) Movies are fun. It’s a simple truth that doesn’t get offered up enough. As much as I might expound upon the artistry of certain directors or eagerly try to plumb the nuances of deliberately obtuse French cinema, layering on a veneer of academic rumination to my reaction, the bottom line is that movies are a draw because of the more immediate responses they elicit: laughter, chills, jumps, gasps, the swelling of hearts and libidos. I had a friend who reduced every movie-going experience to the shrugged assessment, “It was fairly entertaining.” I used to … Continue reading Top Fifty Films of the 90s — Number Twenty-Five

One for Friday: Swamp Thing, “Island Song”

I never heard of the band Swamp Thing before I went to college. On the surface of it, this isn’t remarkable. There are dozens of bands and performers that I can say the same thing about, and probably every person who spend part of their student years huddled in some cramped college radio studio can make similar claims. The difference, and the disappointment it holds, is that the band was from my hometown of Madison, and they were in full swing during my high school years when I was fully invested in learning about new music. Despite the fact that … Continue reading One for Friday: Swamp Thing, “Island Song”

College Countdown: Winter 1991, 40-36

I had a Sunday night ritual my first semester of college. I gather with several neighbors in my residence hall, and we’d listen to the student run radio station, WWSP-90FM beginning at 6:00 p.m. The program at that time was The College Count-Up. The esteemed host (and future horror blogging titan) took the weekly “Top Cuts” chart published by CMJ, the trade publication targeted at college radio, and tracked through the songs receiving the most airplay nationwide on the left side of the dial. At that time, he cheekily turned the Casey Kasem/Rick Dees practice of counting backwards around, beginning … Continue reading College Countdown: Winter 1991, 40-36

One for Friday: Albert Brooks, “Phone Call to Americans”

The first Fourth of July that I specifically remember occurred in 1976. I’d recently turned six years old at the time of the actual holiday, but I think what I really remember is all the run-up to it. It was the country’s Bicentennial. Anticipation was high (and significantly drummed up) that this would be the finest Independence Day celebration the nation had ever seen. The word “Bicentennial” was everywhere, particular used to drive commerce with it rendered in red, white and blue on store windows to announce a sale inside, or at least the presence of home pyrotechnical devices that … Continue reading One for Friday: Albert Brooks, “Phone Call to Americans”

One for Friday: Huxton Creepers, “Rack My Brains”

I don’t remember how I first discovered Huxton Creepers. I hadn’t heard of the Australian band before reaching the college radio station in the fall of 1988, and, as I recall, they weren’t an especially hyped outfit on the left side of the dial either. Their records came and went without anyone paying them much attention. One of their album covers may have been pinned to the studio wall, which was wallpapered with album flats at that time. Maybe I just found their record because my standing default was to go the H section when I didn’t know what to … Continue reading One for Friday: Huxton Creepers, “Rack My Brains”

One for Friday: The Baroques, “Musical Tribute to the Oscar Meyer Weiner Wagon”

I’ve lived in three different U.S. states and I’ve felt attached to each of them in different ways. While I currently call North Carolina home, my first thirty one years on this planet (to they day, in fact) were spent in Wisconsin, and part of the proof that America’s Dairyland still has a unique hold on me is that nothing piques my curiosity about a band like finding out that’s the place they’re from. This is true of current artists, but it’s even more pronounced when it’s a band from the past, a band I feel I should have heard … Continue reading One for Friday: The Baroques, “Musical Tribute to the Oscar Meyer Weiner Wagon”

One for Friday: The House of Love, “I Don’t Know Why I Love You”

I don’t know why I love you Your face is a foreign food Sometimes I just lock onto one piece of a song, usually a particularly nice turn of phrase in a set of lyrics, and that stands paramount in my mind as the reason why I like this song. I can get into everything else–the strident quality of the music, the guitar sound that’s both smooth and jagged, even what the song meant to me at the particular time it was released–but I’ll always come back to whatever that little bit that most captures me, most inspires me. When … Continue reading One for Friday: The House of Love, “I Don’t Know Why I Love You”

One for Friday: Afghan Whigs, “Creep”

I remember reading about the Violent Femmes album Why Do Birds Sing? when it was released in 1991. Specifically I remember one of the band members responding to a question about the inclusion of a cover version of the Culture Club hit “Do You Really Want to Hurt Me?” on the record. It was conceded that no one in the band had any particular affection for the song, and that it was only included as a stab at getting a little more attention and a little more airplay. They were counting on the combination of familiarity and novelty to pique … Continue reading One for Friday: Afghan Whigs, “Creep”

One for Friday: Abra Moore, “Four Leaf Clover”

Once I wrested myself away from the glum world of commercial radio in the late-nineties, I wanted to get back to what I loved about broadcasting in the first place. I wanted to discover new music, I wanted to build diverse playlists, I wanted to talk about artists that were worth talking about. My best bet was to find some sort of return to college radio. The opportunity came at Christmas. As fate would have it, the holidays found me trekking back to the central Wisconsin city where I went to college, and I knew from first-hand experience that there … Continue reading One for Friday: Abra Moore, “Four Leaf Clover”