Top Ten Movies of 2021 — Number Three
In its storytelling particulars, Shiva Baby is tightly contained and rendered with exquisite efficiency. Most of the film takes place among the grieving noshers at a shiva, where college student Danielle (Rachel Sennott) twists and cringes as a fleet of … Continue reading Top Ten Movies of 2021 — Number Three
Then Playing — Rafiki; Cash on Demand; Westworld
Rafiki (Wanuri Kahiu, 2018). This brisk, bright coming-of-age film takes place in Kenya, where its central same-sex romance is technically against the law. Kena (Samantha Mugatsia) is a withdrawn girl who is struck by the lively exuberance of Ziki (Sheila … Continue reading Then Playing — Rafiki; Cash on Demand; Westworld
William Hurt, 1950 – 2022
William Hurt changed my perception of acting. I was fourteen when I saw his performance in The Big Chill, so I was certainly old enough to realize that acting required effort beyond memorization and recitation to bring authenticity to a … Continue reading William Hurt, 1950 – 2022
College Countdown: CMJ Top 1000, 1979 – 1989 — #224 to #222
224. Siouxsie and the Banshees, Hyæna (1984) Siouxsie and the Banshees were in a sort of limbo for a time before the recording and release of their sixth studio album, Hyæna. They hit a crisis point not long after the … Continue reading College Countdown: CMJ Top 1000, 1979 – 1989 — #224 to #222
Outside Reading — Black Ink edition
Black-Owned Bookstores Safeguard Our History as Racists Try to Ban It by St. Clair Detrick-Jules As they fully intend, it’s difficult to pin down precisely which of the right wing’s many infractions against political norms and basic decency is most … Continue reading Outside Reading — Black Ink edition
This Week’s Model — The Black Keys, “Wild Child”
Realistically, I’m sold from the opening riff, with its little tingle of disco-era Rolling Stones. It’s only a few seconds before the fuzzed-out, thick-bottom blues guitar really kicks in, the blaring alert that “Wild Child” is indeed the Black Keys … Continue reading This Week’s Model — The Black Keys, “Wild Child”
Medium Rotation — Covers; The Boy Named If; Anaïs Mitchell
Although a sharp, evocative songwriter who regularly delivers new albums stuffed full of beautifully tarnished gems, Chan Marshall gets a lot of mileage out of repurposing other performers’ material. Titled with admirable clarity and directness, Covers is the third instance … Continue reading Medium Rotation — Covers; The Boy Named If; Anaïs Mitchell
Now Playing — After Yang
It is admittedly no feat to spot the influences in a film directed by Kogonada. With After Yang, the South Korean-born filmmaker has two features to his name. He also has a slew of film essays on the work of … Continue reading Now Playing — After Yang
Then Playing — Salaam Bombay!; Found Memories; Along Came Jones
Salaam Bombay! (Mira Nair, 1988). Director Mira Nair’s first fiction film owes a lot to her preceding documentaries. In depicting the plight of children living on the streets of India, Nair worked largely with amateur actors, many of whom were … Continue reading Then Playing — Salaam Bombay!; Found Memories; Along Came Jones
Top Ten Movies of 2021 — Number Four
The Lost Daughter, the feature directorial debut of Maggie Gyllenhaal, is dense with the anxiety of simply living. Adapted, by Gyllenhaal, from a 2006 novel by Elena Ferrante, the film follows Leda (Olivia Colman), a college professor who is on … Continue reading Top Ten Movies of 2021 — Number Four