From the Archive — Atonement

Since I recently lobbed a few ill words in the direction of Joe Wright’s latest Best Picture nominee in which the evacuation of Dunkirk figures into the plot, I’ll look back to a far more admiring assessment of an earlier effort from the director. Atonement was also a Best Picture nominee in which the evacuation of Dunkirk figures in the plot. How about that? And ten years ago, because of the same film, little Saoirse Ronan was also getting ready for her first trip to the Oscars.  Atonement is a terrific book, so artfully taking advantage of the storytelling opportunities unique to … Continue reading From the Archive — Atonement

From the Archive: There Will Be Blood

We’re in that part of the film year when patience is necessary. While a few big cities have every Oscar hopeful cramming onto their screens, those of us residing in less populous burgs have to wait and wait. On a recent trip to New York, I have the opportunity to get ahead of the roll-out release schedule somewhat, but there are a whole slew of titles that have me drumming my fingers while giving sidelong glances at the calendar. Among them is The Phantom Thread, the reunion of director Paul Thomas Anderson and actor Daniel Day-Lewis, the latter purportedly in … Continue reading From the Archive: There Will Be Blood

From the Archive: Margot at the Wedding

Since the new Noah Baumbach movie, The Meyerowitz Chronicles, has arrived, the time seems right to dig out this old review of the director’s fourth feature, released ten years ago. It was Baumbach’s follow-up to The Squid and the Whale, his most successful film, by several measures, to that point, amping up expectations for what proved to be a fairly sour cinematic experience. That was Baumbach’s goal, to be sure, but the segue into Bergmanesue drama didn’t particularly suit him.   While generally very good, Margot at the Wedding perhaps could have used a little less dedicated approach to maintaining … Continue reading From the Archive: Margot at the Wedding

From the Archive: Juno

Few filmmakers experienced quite as precipitous a drop as Jason Reitman. He went from back-to-back Best Director nominations to a pair of films that were universally panned (with, it’s worth noting, one compromised but ambition feature in between). Through it all, he’s at least had the live reads, regular events that brought together impressive groups of actors to offer one-time-only, live stage performances of some truly beloved screenplays. Though the event is officially retired as an ongoing concern, Reitman is clearly keeping it in his back pocket, ready to throw on the table when the moment is right, such as a … Continue reading From the Archive: Juno