The thing about out-of-the-ordinary family structures is that they’re typically not odd to the people existing within them. Certainly being outside the norm of society’s rigid (but loosening) definition of what makes a family can cause some dismay and feelings … Continue reading Control yourself, take only what you need from it
There’s no shortage of material out there designed to pry into the personal lives of famous figures. There’s even a whole battalion of individuals who are famous for no other reason than their willingness, even needy enthusiasm, to have cameras … Continue reading I’ve been licked, washed up for years and I merely survive because of my pride
The word “inception” actually means the beginning of something, that start of a journey, the first part of a major undertaking. In Christopher Nolan’s new film, Inception, the word has an additional definition in its role as a bit of … Continue reading I had too much to dream last night
The more fantastical a movie is, the more likely it will be heaped with praise for the vivid realization of its setting. Whether it’s Peter Jackson’s J.R.R. Tolkien adaptations, the Wachowski brothers’ plunge through payphone lines to reach the Matrix, … Continue reading To them ghosts in the train yard, all them ghosts in my drink
Roger Ebert recently asserted that “Pixar is the first studio that is a movie star.” While it’s possible to quibble with that “first” designation–MGM in its glory years comes to mind as a contender for that honor–the celebrity of the … Continue reading It’s that little souvenir of a colourful year which makes me smile inside
Easy Virtue (Stephan Elliott, 2008). Based on a play by Noel Coward, Easy Virtue has all the requisite pieces to help the Priscilla, Queen of the Desert director get his artistic sensibilities back on track after the disastrously bad thriller Eye of the Beholder. The story about an English gent bringing his headstrong new American wife home to meet his snobbish, disapproving family is abundant with basic, effective dramatic conflict, and the source material guarantees that the screenplay will be filled with admirable wit. The finished product is sadly in a perpetual state of overexertion, everything ratcheted up to a … Continue reading Bunuel, Elliott, Gast, Hill, Weide
I admire Nicole Holofcener’s consistency. I don’t mean that every one of her efforts is uniformly strong, nor does she tread the same ground the same time out. Instead, Holofcener operates with a certainty of vision, a commitment to using … Continue reading Now’s the time that we need to share so find yourself, we’re on our way back home
On the basis of Niels Arden Oplev’s film adaptation of it, I don’t think I’d enjoy reading Stieg Larsson’s freakishly successful novel The Girl with the Dragon Tattoo. I don’t mean that as a condemnation of the film. On the … Continue reading I’m fit to be dyed, am I fit to have you?
Writer-director Vincenzo Natali sets up the story in his new film Splice to head down some dark, twisty roads. The second most surprising aspect of the film is that he willingly follows through, taking routes to their logical, if decisively … Continue reading Beautiful queen with your beautiful gene
Sequels invariably inspire comparisons, weighing the merits of what’s flickering on the screen against the adventures that came before. This seems to be especially true for superhero sequels, maybe because there’s an echo of the comic reading experience, where every … Continue reading Everything you say is like iron; it smashes me up but it’s brittle inside
Coffee for Two 