The Sisters Brothers (Jacques Audiard, 2018). The English-language film debut of French director Jacques Audiard rambunctiously tinkers with one of most storied Hollywood genres without ever quite figuring out what sort of neo-Western it wants to be. Sometimes it aims … Continue reading Playing Catch-Up — The Sisters Brothers; Our Brand is Crisis; A Bigger Splash
#36 — Evangeline Lilly as Hope van Dyne in Ant-Man (Peyton Reed, 2015) As impressive as the Marvel Studios business model of craftily interlocking films has been (and markedly difficult for others to replicate), the actual cinematic quality of their … Continue reading Greatish Performances #36
From Beyond the Grave (Kevin Connor, 1974). Drawn from the horror short stories of British author Ronald Chetwynd-Hayes, this anthology film from the macabre minds at Hammer Studios offer a quartet of twisty tales of supernaturally-charged comeuppance, all of them … Continue reading Playing Catch-Up — From Beyond the Grave; The Family Fang; Black Mass
The Final Girls (Todd Strauss-Schulson, 2015). This send-up of horror films — with special satiric sanctimony leveled at the slasher films of the nineteen-eighties — can’t help but draw comparisons to similar efforts in recent years. And already muddled film … Continue reading Playing Catch-Up — The Final Girls; Baby Face; Lightning Strikes Twice
Columbus (Kogonada, 2017). The feature debut from filmmaker Kogonada, who has been justly lauded for video essays on other directors’ work, is an object of understated beauty. Empathetic and honest, Columbus is set in the Indiana city of the same … Continue reading Playing Catch-Up — Columbus, The Meyerowitz Stories (New and Selected), Miles Ahead
Wind River (Taylor Sheridan, 2017). With just a handful of credits for major creative roles behind the camera, Taylor Sheridan is already establishing a pretty compelling philosophical thesis about the way the world works. In Wind River, those who exist … Continue reading Playing Catch-Up — Wind River; Ship of Fools; Demolition
Good Morning (Yasujirō Ozu, 1959). I’ll admit to being underexposed to the work of the revered Japanese director Yasujirō Ozu. (It’s not a good excuse, by any means, but I’ve devoted most of my relevant geographically-based cinema self-schooling to films of … Continue reading Playing Catch-Up: Good Morning; The Big Sky; The Witness
The Best Years of Our Lives (William Wyler, 1946). My overwhelming reaction to this drama of post-war turmoil in the lives of U.S. fighting men and their families is a dumbstruck marveling that it was released just one year after … Continue reading Playing Catch-Up — The Best Years of Our Lives; The B-Side: Elsa Dorfman’s Portrait Photography; Truth
Citizen Jane: Battle for the City (Matt Tyrnauer, 2017). This documentary is the sort of non-fiction filmmaking that willingly, happily tips toward hagiographic agitprop, treating its central figure as a beam of inspiring light rather than a complicated person. As … Continue reading Playing Catch-Up — Citizen Jane: Battle for the City; Concussion; The Debt
The Hot Rock (Peter Yates, 1972). This adaptation of a Donald Westlake novel — featuring a screenplay that was William Goldman’s first produced work following his Oscar win for Butch Cassidy and the Sundance Kid — is a lithe and cheeky heist film. Robert Redford plays John Dortmunder, a professional thief freshly released from his latest stay is prison. Mere minutes pass before he’s roped into a new scheme involving the theft of an African gem on display in the Brooklyn Museum. What follows is a series of setbacks — all smartly plausible — that require Dortmunder and his assembled … Continue reading Playing Catch-Up: The Hot Rock, Krisha, Tiger Shark
Coffee for Two 