Now Playing: Kong: Skull Island

When sitting before a modern aspiring blockbuster, I often feel like I know what the pitch must have sounded like as the filmmakers cajoled a major studio into giving them piles of money to build on vital piece of the cinematic franchise. In the case of Kong: Skull Island, I instead found myself thinking about what must have enticing the actors to sign on the bottom line, beyond the promise of filthy lucre, of course. What kind of exuberance director Jordan Vogt-Roberts and his collaborators must have brought to meetings in which they regaled the potential onscreen talent with the promise … Continue reading Now Playing: Kong: Skull Island

Now Playing: Logan

I’m glad Logan doesn’t end with a bonus scene plopped in the midst or at the end of the closing credits. In the cinematic landscape that is slowly, steadily being engulfed by the mighty Marvel model of moviemaking, the choice is novel enough to prompt a flurry of online interviews that call upon director James Mangold to explain himself. He has a few different explanations, slightly nuanced from each other, but the crux of it is always the same, and it speaks to precisely why I so appreciate the choice. Logan is — being blunt about it — a real movie … Continue reading Now Playing: Logan

Now Playing: Get Out

Sometimes the instinctual filing of a film into a single genre proves woefully inadequate. Get Out, the feature directorial debut of Jordan Peele, is a horror film. On the surface of it, that is clear and almost indisputable. It moves with rhythms familiar from a fleet of jolting predecessors, down to the particulars of a long drive down a highway book-ended by dense forest and a comic relief best pal who seems poised to somehow save the day.  There’s a haunted past and a slow accumulation of menace. As a horror film, Get Out is proficient and engaging. It is … Continue reading Now Playing: Get Out