62. Moonpools & Caterpillars, Lucky Dumpling Lucky Dumpling was the one and only major label effort by California band Moonpools & Caterpillars, bookended by a couple of self-released albums. The Fillipino-American band, led by singer Kimmi Ward Encarnacion and guitarist Jay Jay Encarnacion, was supposedly signed to their Elektra Records contract when a label rep saw them opening for a different act that he’d actually shown up to scout. They had some modest success on the college charts, primarily with the single “Hear,” though it wasn’t enough to satisfy their new corporate bosses. Given a taste of the big time (and with bank … Continue reading College Countdown: 90FM’s Top 90 of 1995, 62-60

64. Catherine Wheel, Happy Days Happy Days is the third album by the U.K. band Catherine Wheel and by most measures their most success effort. Riding the surge of interest in any alternative band that built some buzz into their sound, Catherine Wheel broke onto the Billboard albums chart for the first time (though its peak of #163 hardly reaches sensation status) and had a couple modest modern rock radio hits. One of those tracks, “Judy Staring at the Sun,” featured guest vocals from Tanya Donelly during the very thin sliver of time when the Belly frontwoman had enough prominence to nab … Continue reading College Countdown: 90FM’s Top 90 of 1995, 64 and 63

66. Alice in Chains, Alice in Chains In the early to middle part of the nineteen-nineties, a band was almost guaranteed some national attention as long as they were from Seattle and knew how to turn their amps up. Alice in Chains officially formed in 1987, when roommates Layne Staley and Jerry Cantrell joined one another’s new bands. The funk band Staley drew Cantrell into fading quickly, leaving the other group, defined by hard rock leanings, as the going concern. For the band’s name, they opted for a modified version of the group Staley was in previously, a glam metal … Continue reading College Countdown: 90FM’s Top 90 of 1995, 66 and 65

69. The Caulfields, Whirligig Much as I’ve groused about the bland uniformity of alternative rock radio circa 1995, dominated as it was by pallid echoes of the Seattle sound that crashed playlists a couple years earlier, largely thanks to Nirvana and Pearl Jam, there were a couple other dismal genre subsets that had secure footholds on the airwaves. The Caulfields nearly represent one of those. Hailing from Newark, the band was part of the long death rattle of A&M Records, the once prestigious imprint of Herb Alpert and Jerry Moss that had a self-destructive proclivity through the late-eighties and early-nineties … Continue reading College Countdown: 90FM’s Top 90 of 1995, 69 – 67

71. Big Sugar, 500 Pounds Wikipedia describes Big Sugar as “a Canadian blues, reggae band,” which is about as terrifying of a description as I can imagine. They had a decent run in their homeland, with a couple platinum albums. 500 Pounds, their sophomore effort, was the first to go gold, a promising enough turn of events that it was released in the United States. The album was something a slow build, with the group generating a good chunk of those sales on the basis of their live show (you know, the place where blues/reggae outfits prosper, if only because … Continue reading College Countdown: 90FM’s Top 90 of 1995, 71 and 70

73. Grant McLennan, Horsebreaker Star By the time Grant McLennan released the album Horsebreaker Star, there were a healthy number of years that had passed since the demise of his band the Go-Betweens. Between the formal break-up, in December 1989, and this album, McLennan released two other solo outings, so there’s no real reason to characterize Horsebreaker Star as some unique statement of purpose, an announcement about his determination for enduring creative relevance. And yet that’s exactly what the record seems like, both in its content and through a few more superficial indicators (it’s the first solo album on which he’s … Continue reading College Countdown: 90FM’s Top 90 of 1995, 73 and 72

#76. Various Artists, Gag Me with a Spoon This album practically seems like it was genetically designed to earn spins at my radio alma mater. Packed full of Wisconsin bands (label Don’t Records was, I believe, based in Milwaukee), the conceit of the release finds the group delivering reinventions of some of the most familiar songs of the nineteen-eighties. There’s also a nice hat tip to local heroes Violent Femmes with a cover of “I Held Her in My Arms,” hardly a smash hit but still a damn fine song. The compilation is spotted with bands not all that well known … Continue reading College Countdown: 90FM’s Top 90 of 1995, 76 – 74

79. G. Love & Special Sauce, Coast to Coast Motel I don’t have very many distinct memories relating to the Philadelphia act G. Love & Special Sauce, which makes it all the more clear which one is my favorite. I was having a spirited conversation with a friend of mine about the state of radio, particularly the quality of the student broadcasters stewarding the airwaves at our shared alma mater. While acknowledging that we were all novices once and generosity is called for, he shared that one deejay caused him special dismay whenever she was on the air. As an example, he … Continue reading College Countdown: 90FM’s Top 90 of 1995, 79 – 77

82. Oasis, (What’s the Story) Morning Glory? In the mid-nineteen-nineties, there was no shortage of music critics who were ready to declare Oasis the next major band, the one that would endure for years and years, delivering one masterpiece after another. This was somewhat driven by the ever-excitable U.K. music press, although authoritative co-signers rushed in from all quarters. Oasis were enormously successful in their homeland, basically from the very beginning (their first single, “Supersonic,” charted in the Top 40 on the British charts, although peaking at a surprisingly modest #31). Songs from their debut album, Definitely Maybe, garnered healthy modern … Continue reading College Countdown: 90FM’s Top 90 of 1995, 82 – 80

84. Letters to Cleo, Wholesale Meats and Fish About the only things that’s really worth knowing about Letters to Cleo these days is that fictional municipal executive Ben Wyatt is a fan. The band, fronted by Kay Hanley, had a solid radio hit with “Here and Now,” a song that appeared on their debut release, the unfortunately-titled Aurora Gory Alice. The band and their label clearly hoped to leverage that tantalizing taste of success with the release of their sophomore album, Wholesale Meats and Fish, and it initially seemed they might be able to develop some reasonable longevity. “Awake,” the … Continue reading College Countdown: 90FM’s Top 90 of 1995, 84 and 83